Music to Your Ears
By Jessica Cassyle Carr
SXSW season has arrived, and you know what that means: During the next couple of weeks a disproportionate number of touring bands will be making pit stops in Albuquerque on their way to and from Austin. Among the packs of troubadours is a little piece of old Albuquerque. Two thirds of Mighty Tiger, a dreamy rock band from Seattle, is comprised of one half of the late Oh, Ranger!—Boyd Reno and Luke Heath. Imbued with the Reno-and-Heath touch—sad guitar and cheeky lyrics placed in a squirming pop context—Mighty Tiger is ever-so-slightly reminicent of their earlier local projects, but with more mature, higher fidelity results. See Mighty Tiger perform live on Tuesday, March 16, at Low Spirits (2823 Second Street NW) with fellow Seattleite Grand Hallway, along with Albuquerque's Bellemah and The Giranimals. The show begins at 9 p.m. and $5 gets you in.
When Victorian dandyism and new media art collide
By Jessica Cassyle Carr
Describing the work of Alfred Darlington, known on stage as Daedelus, is no easy task. The experimental Los Angeles-based, Ninja Tune-backed electronic musician and producer inhabits realms of emerging technologies, oxymoronic juxtapositions and avant sound. A vanguard concerned with invention, he was among the first to use an instrument called a Monome box in live performance, all the while dressed like a 19th century sophisticate. Prior to his first performance in New Mexico, we questioned Darlington by means of electronic communiqué.
Southwest by Northwest
The Scrams, The Dirty Novels and Broken Water at Burt’s Tiki Lounge
By Captain America
How long has it been since a band has not only hit Burque but hit it over the head, taken it hapless prisoner in a trashed garage and subjected its collective ears to hip-swivel rock? Fifteen years and change I’d say, harking back to the lo-fi ruckus of The Drags when it was acceptable to not only rock but to roll. The Scrams haven’t forgotten that a band can maintain dance-worthy melody while playing as loose as a pair of two dollar shoes. No costumes, no front, no shtick but a pure adrenaline injection to your spinal cortex that dares your feet to stay still. You can see it happen live this Saturday on a triple-threat bill at Burt’s.
Flyer on the Wall
ABQ SWXØ Fest 2010
During the last half of this month, various underground entities will do their best to jointly exploit the talents of local lunatics and the wealth of weirdos traveling to Texas in an event known as Albuquerque Southwest by No Fest. Show info can be found at www.myspace.com/albuquerquediy.
Black Francis NonStopErotik · Pavement Quarantine the Past: The Best of Pavement · Blank Generation (film)
By Adam Perry
Like all of Black Francis’ solo career, NonStopErotik is stylistically all over the place. The album misleadingly starts with unexceptional alt. rock that harkens back to ’90s bands like the Toadies. Then it spans sexy Ween-esque synth ballads, bug-eyed surf noir and explosive rock that could only be called sweet noise. “We all got wheels to take ourselves away ... come on wheels, take this boy away,” the gigantic-voiced Francis sings on “Wheels.” You sometimes get to wondering what the legendary Pixies frontman’s personal life is like, spending sleepless nights recording this debaucherous long-play in Brooklyn, L.A. and London. In the album’s press release, Francis wrote “I want to be all inside you ... sucking at the only thing that matters”; NonStopErotik gets my vote of approval, but don’t blame me if you feel violated.
Alan Jackson • country
By Joshua Lee
As Ludwig von Beethoven once said, “Music is the mediator between the spiritual and the sensual life.” Those words still carry weight, even now: a thousand years later. And you'll find no better example than the incomparable Alan Jackson, whose voice and countenance rival those of the gods, as though he were hewn from the heart of the sun itself. His honky tonk tunes are swords of righteous terror and beauty which melt the eardrums of devotees, lost in reverie as they bathe in the glorious golden ambiance of his mustache. He'll be playing live at the Sandia Resort & Casino on Friday, Sept. 30. Take a gander.
Chrome Sparks • electronic, indie pop
By Joshua Lee
So Chrome Sparks apparently has a few hours open in his schedule to visit ABQ—somewhere in between juggling his gajillion other projects and fulfilling his role as busiest spacey electro-pop composer on the planet. New Mexico seems like the perfect place for those wide-open, expansive tunes of his. Maybe someone can talk him into posting up in the middle of the desert next time. Sound carries further at night and can have a a really spooky resonance. Just saying. This Friday, Sept. 30, he'll be wowing the pants off of us at Sister Bar (which is indoors, unfortunately) starting at 9pm.
Miike Snow • indie, electro-pop
By Monica Schmitt
"I change shapes just to hide in this place, but I'm sure not going to hide from this concert." Ladies and gents, I am happy to report that Miike Snow, the Swedish electro-pop band of your dreams, will be performing at our very own Historic El Rey Theater. Imagine Alt-J and Dan Black created a musically inclined love child. The result would be something like Miike Snow. If that's too foreign an analogy, you'll just have to listen for yourself at 7pm on Monday, Oct. 3. Tickets are just $25-$40 for all ages. The Mezzanine bar will be open for folks 21+.
Andrew Jackson Jihad • folk-punk • Diners • surf, indie rock • Kepi Ghoulie • punk folk
By Peter Karlsen
Once upon a time, back in 2004, in the distant land of Arizona, there was born a folk-punk band by the name of Andrew Jackson Jihad. It was a mouthful, so they decided to go by the acronym AJJ. Then they decided to formally change their name to that. Soon they'll be at the Launchpad. People in this town like to shit on the folk-punkers, but fuck those jerks. I already bought a ticket to this Launchpad show and I bet I'll be buying band merch, too. This kick-ass event starts at 8pm on Oct. 5.
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