Gretchen Parlato: A Voice to Call Her Own
By Mel Minter
When vocalist Gretchen Parlato performs a song, she doesn’t so much inhabit it as become inhabited by it, living and breathing a musical and emotional life that is inseparable from the artist. Her singing is personal, and therefore it’s immediate and resonant—and because of that, apparently artless.
Myles Boisen mylesboisen.com
Zoe Boekbinder makes music for people who like to wear sequins to the library
By Summer Olsson
When I first heard Zoe Boekbinder’s beautiful Artichoke Perfume, I thought it sounded like the musical child of Jolie Holland and Joanna Newsom had joined the circus and made an album. Not only do other people compare her to Holland, Boekbinder (pronounced “Bookbinder”) lists the musician as an influence, too. But the Oakland-based Canadian is hesitant to label her sound.
A Little More Experimental, a Little More Eclectic
Jazz, Deconstructed series explores jazz’ roots and branches
By Mel Minter
Jazz, Deconstructed, a new four-concert series, features local artists with visionary projects that stretch from New Orleans’ Congo Square to an electrocoustic jazz/hip-hop detente.
Flyer on the Wall
She beckons with her ... eyes. Also, her tetas. One of the best things about Atomic Cantina (315 Gold SW) is that there’s continuously been local art on the punk rock bar’s walls since it opened in May 2003. (Do we smell a birthday coming on?) Atomic’s not afraid to hang pop art, risqué or abstract, along with other beautiful and weird works by 505 faves. This month, drop by to see paintings by Christina Aristmuño, David Gatt, Megan Cronin, John Henry Hansen, Amanda Banker, Heather Cronin, Sunita Aristmuño, George Evans, Rodney Ibarra, Jay Smithline and Melinda Casey; photography by Crystal Sims, John Salazar and Nathan Paolinelli; ink work by Jeff Hayes; and mixed media by Kevin Hopper and Sharon Chang. (Marisa Demarco)
The Grateful Dead Crimson, White & Indigo · The Freak Out List, DVD
By Adam Perry
Despite the stereotypically cheesy cover art that will probably shoo away non-Deadheads (as usual), Crimson, White & Indigo (or “7/7/89”) includes a whole lot more than the mindless hippie drool suggested by the horrible ponytails worn by Mickey Hart, Bob Weir and Jerry Garcia at the time. Just one year before his fatal drug overdose, keyboardist Brent Mydland delivered an improvised monologue that was both uplifting and jarring during “Blow Away” and was really the MVP of this charged evening in Philly. The band also covered Willie Dixon, James “Sugar Boy” Crawford and Bob Dylan, and mesmerized the huge audience with its often-peaking space-folk, highlighted by poet Robert Hunter’s powerful lyrics in “Box of Rain” and “Wharf Rat.” Proof that the Dead were an impressively diverse and effectual band well after the ’60s.
Rugby is a Drag • Truly Scrumptious Coxx
By Robin Babb
This Saturday, Jan. 21, drag your ass to Sidewinders by 9pm for the fundraiser, Rubgy is a Drag, presented by Brujos Rugby and Casa Q. That’s right, the strapping young Brujos Rugby Team players will be performing in drag for a one-night-only event with guest MC Truly Scrumptious Coxx—you don’t want to miss this one. Remember to bring singles to shower upon your favorite performers. Funds go towards The Brujos and Casa Q, the only safe transitional house for LGBTQ+ youths in New Mexico. Tickets are $10. Ages 21+.
Courtesy Epic Records
Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock
By August March
Chevelle, an indie band from the Midwest, portrays their hard sound—expressed with exasperated vocals, a muscular rhythms and chunky guitar riffs that repeatedly drift off into tangential melodies—as an artful thing, comparable to '90s peers like Tool. And they do sound like Tool—if their latest single “Door to Door Cannibals” is any indication—when that band was at its peak at the end of the last millennium. Whether this particular vernacular is still credible in a rocanrol world that is rapidly evolving away from rocanrol remains to be seen, yet Chevelle does provide solid affirmation that such beefy sounds are still commercially, if not aesthetically viable. Currently a familial unit comprised of brothers Pete and Sam Loeffler as well as their brother-in-law Dean Bernardini, Chevelle continues to use themes of darkness and domination to draw radio-friendly audiences worldwide. Burqueños can get a taste of their rockingly reserved rampage when the trio visit our town on Tuesday, Jan. 24. Black Map and Dinosaur Pile-Up open this 13+ show at the El Rey that costs between $25-$45.
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