Music to Your Ears
By Jessica Cassyle Carr
Girls Are Mad
I didn’t go to the show when The Ettes played at a free bar Downtown early last year. The Nashville-based band wasn’t on my radar anyhow, so I felt no regret about missing it ... until a week later when I finally opened the 12-inch record that a friend, knowing I would like it, had bought for me at the show as a souvenir. Bright yellow in color, the LP—2008’s London-recorded Look At Life Again Soon—contained 11 distortion-heavy, ’70s glam-tinged tracks of female-fronted rock and roll. Since then, that record—now a prized possession—has received heavy rotation by me at home and in public drinking establishments.
A Joyful Ceremony
Pianist Omar Sosa’s Afreecanos Quartet communes with the spirits
By Mel Minter
Cuban pianist, marimbist and composer Omar Sosa plays up and down the tree of music, sounding its deepest African roots and the greenest buds in its ever-spreading canopy. Every note summons listeners to a joyful ceremony of communion.
Dirt City Archives
Having a Ball
The psych-pop of UV Transmission
By Captain America
Have you ever walked into a bar intimidated by the row of hogs and Harleys parked out front? Wondered about the reception you’d get from the bikers partying down inside? It wasn’t quite that way with the dozen Vespa, Lambretta and Velocette knockoffs lining the sidewalk in front of the Fabulous Dingo Bar (now Burt’s Tiki Lounge) when UV Transmission was headlining. Rather than wielding chains and wearing leathers, these riders sported one-button blazers, Cuban heel boots and M65 parkas with the Royal Air Force insignia on the back. The crowd was there not to pogo or mosh (thankfully!) but to dance.
Flyer on the Wall
By Jessica Cassyle Carr
The scary little people hidden in the trees want to you know that Monday, April 19, sees performances of animal-sound music and different forms of drone by Infinite Body, EARN, Lab Rat and Postcommodity. The show begins at 8 p.m. at Thundermind Corrective, and for $5 you might find out what “intense loud doom drone” means. (Jessica Cassyle Carr)
Ben Goldberg Go Home · Rufus Reid Out Front · Tin Hat Foreign Legion
By Mel Minter
Ben Goldberg packs a lot of music in his clarinet case—including jazz, Ashkenazi roots music and chamber music. His latest combo features musicians with unfettered imaginations willing to roam the entire musical landscape: Ron Miles (cornet, G trumpet), Charlie Hunter (seven-string guitar) and Scott Amendola (drums). Together, they create something approaching a jazzy, groove-based klezmer blues—or maybe it’s just Southern rock all growed up and moved to the big city. The 10 Goldberg compositions (with help from brother Ethan on one) move smoothly from lyrical composed passages to disciplined but adventurous improvisations. Hunter is clearly the oddest and most indispensable part of the combo, supplying a fierce rawness in the upper registers and coherent bass lines simultaneously. The four live tracks add special piquancy to this tasty brew.
Courtesy of the Artist
Franks & Deans • punk rock, rock 'n' roll • Shrewd • Punctured Muffler • Silent Crush • metal
By August March
At some point during the progression of meta-ultra-postmodernism, it was only natural that a band covering Rat Pack tunes revisioned as rambling ska paeans or blisteringly buoyant punk anthems based on the imbibing and love-making habits of dudes like Frank Sinatra and Dean Martin would rise from the rocanrol cauldron. Well it's 2017 and such has indeed come to pass. The name of the band is Franks & Deans. They've succeeded by inflecting the sweepingly romantic, sometimes melancholy and nearly always self-referential ditties of these post-war, pre-rock vocal heroes with good-natured rhythms and danceable guitar leads—as well as an updated fashion sense that seems to borrow more from ZZ Top's summer style guide than from Robin and the 7 Hoods—that adds affable nuance to legendary, mid-century American popular music. Band members Rob DeTie, Mike "Pip" Ullemeyer, Hoss and Sampson await your indulgence at Low Spirits on Thursday, Feb. 23, and the admission price of $5 sure as heck beats dropping “Three Coins in the Fountain.”
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