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 Jul 1 - 7, 2010 

Aural Fixation

Yankee Doodle Dandy,” perhaps the sassiest of all classic patriotic American tunes, is thought to have been written in mid-18th-century Europe, possibly during the Seven Years’ War. Though its exact origin is unclear, the song was a British invention and was used to deride American Colonists and their ragtag army. The most recognizable verse (there are nearly 200) is not seen in this sheet music: “Yankee Doodle went to town / Upon a little pony / Stuck a feather in his cap / And called it Macaroni"—nonsense on the surface, this verse is actually a snobby insult to pastoral Colonial fashion (a Macaroni was a traveled, upper-class European who wore extravagant wigs). In the American tradition of taking things that don’t belong to us, “Yankee Doodle Dandy” was reclaimed by the disheveled patriots and became a source of Colonial pride. And, as we all know, in the end the garishly dressed Americans defeated the pretentious and dimwitted red coats whose flamboyant uniforms made them easy targets. U.S.A.! (Jessica Cassyle Carr)

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Peter Case knows what song’s on the B-side.
Ann Summa

Music Interview

Wig Out!

Power pop turns folkie—a chat with Peter Case

By Jessica Cassyle Carr

In 1975 Jack Lee, Paul Collins and Peter Case formed the short-lived but influential power pop group The Nerves. Most notably, the band is responsible for the classic track "Hanging on the Telephone," later made famous by Blondie. The group also had a hand in founding the West Coast punk scene—but just as the cultural explosion got its footing in L.A., The Nerves split in 1978. Collins and Case formed The Breakaways, and Lee went solo. Case went on to find success as the frontman for The Plimsouls, but by the mid-’80s that band dissolved and Case returned to his solo roots.

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Flyer on the Wall

Psychedelic Hoedown

“Listen, Bob, I don’t have time to talk about the memo—I’m up to my flank in plastic army men right now.” A combination of discount wallpaper, highly effective business practices and possibly the artist’s bad acid trip make this an intriguing work of photo montage. More intriguing is the idiosyncratic show it notes— Grand Canyon, Shoulder Voices and The Booty Green—at Atomic Cantina (315 Gold SW) on Saturday, July 3, beginning at around 10 p.m. The show is free for the 21-and-over crowd. (Jessica Cassyle Carr)

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Sonic Reducer

Piñata Protest Plethora · Panda Riot Far and Near · Matt Perrine & Sunflower City Bayou Road Suite

Mixing punk with Mexican border music is nothing new. Joe “King” Carrasco hit it big on the frat-boy circuit with nuevo wave-o Tex-Mex party songs that ultimately tasted like watery horchata. Tired of Black Flag copycats but not the energy, San Antonio native Álvaro del Norte reclaimed the corridos he rejected as a child to study under Texas accordion maestro Juan Tejeda. Now his band, Piñata Protest, serves a steaming pot of caldo de res with beefy punk riffs and greasy accordion marrow—the tastiest Norteño/rock recipe to date. Be sure you save your last bit of tortilla to wipe the bowl clean. (CA)

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T-Rextasy
Andrew Piccone

EVENT HORIZON (Thursday, Mar 23)

Surf In Burt's

T-Rextasy • garage, punk • Mount Ivy • space rock • Emma Lee Toyoda

By August March
Surf-style, fuzzed out and formidably feminist pop-punkers T-Rextasy make an appearance in Albuquerque, at the new home of all things fearsome and fashionable, Burt's Tiki Lounge, on Thursday, March 23. The New York City band—singer Lyris Faron, guitarists Lena Abraham and Vera Kahn, under the rhythmic influences of bassist Annie Fidoten and drummer Ebun Nazon-Power—is known for its arch approach to the genre, generating pure pop nuggets like last year's “Gap Yr Boiz” to deconstruct and decimate a culture they find to be placid and painstakingly pointless. They'll be joined on stage by space rock quartet Mount Ivy and self-described “Seattle-based sadgirlrock” adherents Emma Lee Toyoda. Hmm, the more I think about it while considering this show, the more I imagine that rocanrol is still alive and has a chance against the forces of the future. Find out for yourself if all of that fashion-future-forward stuff is la neta by jaunting on over to Burt's for this 21+ gig, where its always free to go in and have a listen to what will most certainly be.
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Wha Happen EP Cover

EVENT HORIZON (Saturday, Mar 25)

Kurt Travis Will Save Your Soul

Kurt Travis • alternative rock • Eidola • Amarrionette

By Megan Reneau
I love Kurt Travis ... I said it! I don't regret it, either! (Well, I actually hardly know the man—i.e. not at all—I just love his music.) I know you won't regret seeing him at The Co-Op alongside the phenomenal bands Eidola and Amarrionette this Saturday, March 25, for only $10. Travis was the lead clean vocalist for notable post-hardcore bands Dance Gavin Dance and A Lot Like Birds. He has expanded his act as a solo musician producing the dazzlingly lovely EPs Wha Happen? (2012), Kurt Travis (2013), Everything Is Beautiful (2014) and the Kurt Travis/Paul Travis Split (2016). Travis creates an acoustic, atmospheric pop sound combined with wailing, lonesome bluegrass-esque vocals. In the newest split EP that he made with his brother, the two have created a delicate mix of Americana, pop and indie rock which is sure to translate well into this incredible performer's repertoire. Be sure not to miss this all-ages show, doors open at 7pm.
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Jenna Dunlap
Amanda Kirk

EVENT HORIZON (Saturday, Mar 25)

Local Rocks

Jenna Dunlap • singer-songwriter • Keith Sanchez & the Moon Thieves • folk

By August March
I read a recent review that said Jenna Dunlap's debut recording was “sweet,” with “wistful vocals.” Nothing could be further from the truth. Dunlap—who was recorded by Cinder Cone Media's wizard of an engineer Howard Wulkan for her first studio outing, Out of My Head—is dynamic and thoughtful, with a rumbling, tumbling vocal nuance and muscular musical style that is equal parts Sheryl Crow and Regina Spektor, mixed in with the sometimes plaintive but always hopeful observations of youth transitioning into adulthood. Her voice resonates and she has a great finger-picking style too, knowingly finding chords and arrangements that complement her intense and intelligent vocal treatments. Jenna Dunlap will be having a free CD release party for Out of My Head on Saturday, March 25, so you can hear all of that for yourself and thereby help discourage the use of meaningless musical phrases like "sweet" and "wistful" while supporting the awesome thing—called local music—itself. Keith Sanchez & the Moon Theives will provide folk-appropriate support.
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