(Why your music editor hates herself)
By Jessica Cassyle Carr
Touch and Go: The Complete Hardcore Punk Zine ’79-'83
Little over a year from now I'll have endured three decades of carbon-based livin'. Approaching this mortal milestone, more and more I'm beginning to recognize the old hippie dictum—Don't trust anyone over 30—to be a valid, if not troubling, piece of advice. Last week I found myself talking all fuckin' punk about America's teeming population of brainless youth who pass the time sucking from television's homogenizing teat, living generally mundane, unconcerned lives.
Stepbridge Ignites Stars
One man’s quest to bring decent post-production to New Mexico
By Chris Quintana
Hidden at the back of dead-end road off a tiny side street in Santa Fe is Stepbridge Studios. The only indication of any musical virtue is a painting of John Lennon on the driveway wall. Entering the sound room, however, offers a different perspective.
Flyer on the Wall
With headless abandon and in slimming vertical stripes, a performance by Shoulder Voices, Grand Canyon and The Chimpz is announced. Those of legal drinking age can see the local acts for free at Atomic Cantina (315 Gold SW) on Friday, Sept. 10. (Jessica Cassyle Carr)
Random tracks from Bodies of Evidence frontman Pietro Berardinell
By Jessica Cassyle Carr
Pietro Berardinelli is frontman and rhythm guitar player for ass-shredding Burque metal band Bodies of Evidence. On Saturday, Sept. 11, the four-piece releases its first album, titled A Time to Rise. The party takes place at the Launchpad (21+, $5) starting at 9 p.m. with opening performances by The Ground Beneath, Caustic Lye and Tetelestai. Below is a five-song sampler of Berardinelli’s diverse listening material.
Courtesy of the Artist
Franks & Deans • punk rock, rock 'n' roll • Shrewd • Punctured Muffler • Silent Crush • metal
By August March
At some point during the progression of meta-ultra-postmodernism, it was only natural that a band covering Rat Pack Tunes revisioned as rambling ska paeans or blisteringly buoyant punk anthems based on the imbibing and love-making habits of dudes like Frank Sinatra and Dean Martin would rise from the rocanrol cauldron. We'll it's 2017 and such has indeed come to pass. The name of the band is Franks and Deans. They've succeeded by inflecting the sweepingly romantic, sometimes melancholy and nearly always self-referential ditties of these post-war, pre-rock vocal heroes with with good-natured rhythms and danceable guitar leads—as well as an updated fashion sense that seems to borrow more from ZZ Top's summer style guide than from Robin and the Seven Hoods—that adds affable nuance to legendary, mid-century American popular music. Band members Rob DeTie, Pip Ullemeyer, Hoss and Arpee Sampson III await your indulgence at Low Spirits on Thursday, Feb. 23, and the admission price of $5 sure as heck beats dropping “Three Coins in the Fountain.”
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