Alibi V.19 No.42 • Oct 21-27, 2010 
Squashies squashing around

Show Up!

Ninjagrass

Squash Blossom Boys’ debut album is sneaking up on you

A pioneering band in Albuquerque’s Americana scene, the Squash Blossom Boys brings expert musicianship and rollicking energy to standard and original tunes. The squashies have played in various locales—bars, growers’ markets, on tour earlier this year opening for the Meat Puppets, maybe even at your backyard barbecue—and the band’s popularity is on a steady upward climb. But even fans may not know the winding path these bluegrass men have traveled.

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Django Reinhardt and co.

Jazzed

Gypsy Jazzers Take Over Albuquerque

Producer John Sandlin gives us the lowdown on the low-down sounds of his Django Festival

The New Mexico Django Festival returns to Albuquerque in its fourth, nearly annual edition after a layoff in 2009 in deference to the imploded economy. Producer John Sandlin, perhaps best known hereabouts as the rakishly handsome, devilishly talented guitarist for Le Chat Lunatique, has once again put together a stellar lineup, including up-and-coming international acts as well as local favorites like Zoltan Orkestar, The Hot Club of Santa Fe and Django Rhythm Meat Grinder. For four days, they’ll all pay homage to the Belgian whiz-kid guitarist Django Reinhardt, who put a unique gypsy spin on swing.

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Flyer on the Wall

Spooooooky!

Steve Eiland—of Beefcake in Chains notoriety—and his betrothed observe their upcoming nuptials at Cap’n Creepy’s Halloween Weddin’ Party. Music is to be provided by Icky and the Yuks, The Gracchi, Dead On Point Five and None of the Above. Beefcake in Chains will also stage a mini-reunion. The free, 21-and-over show/party happens at the Launchpad (618 Central SW) beginning at 9 p.m. (Jessica Cassyle Carr)

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Muni in his younger days

Song Roulette

Le Chat Lunatique vocalist and violinist Muni Kulasing has never heard most of these songs

Muni Kulasinghe is the talented vocalist and violinist for Le Chat Lunatique. He’s also a friendly, multilingual gentleman who’s always armed with a smile, a wink and maybe a dirty joke. This weekend his gypsy jazz band plays local host to the New Mexico Django Festival. In honor of the event, Kulasinghe was asked to provide shuffled tracks from his music library. “I don’t have an MP3 player, nor an iPod; only my computer, which means the music I happened upon is not necessarily music I have listened to much, if ever,” he explains. “As it turned out, I was wholly unprepared for what spouted forth.”

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Courtesy of the Artist

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Their Kindness is Charade

Crystal Castles • electropunk, synth pop, witch house

Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
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Courtesy of the Artist

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Special Beat Service

The English Beat • ska

Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.
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