Alibi Bucks

 Oct 28 - Nov 3, 2010 
Electro Crash

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Electro Crash

By Captain America

Electronic music has come a long way since Thaddeus Cahill began work on an electromechanical instrument, the Telharmonium, in 1898. Ferruccio Busoni in 1907 predicted electrical impulses as the basis for modern music. Luigi Russolo gave noise concerts as early as 1914. One can only imagine the grave-spinning disappointment of these visionaries when the synthesized bleats of disco or the now naïve sounds of such LPs as 1968’s Switched On Bach came about.

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Tierney Sutton


The Bird Is the Word

The Tierney Sutton Band finds the mystic in the Great American Songbook

By Mel Minter

Gender has nothing to do with cojones. Anybody can have them. Two-time Grammy-nominated vocalist Tierney Sutton has ’em. That’s how she explains her performance of “It’s Only a Paper Moon,” the opening track of her latest, excellent recording, Desire.

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Flyer on the Wall

Friend of the Devil

On Friday local bluegrass favorite The Saltine Ramblers will express its love for drug-addled hippies and extended guitar solos in a Halloween tribute set as the Grateful Dead. Also appearing is Zoë Fitzgerald, the time-travelling transvestite—glam rock alter ego of Santa Fe musician Joe West. Los Angeles old-time band Triple Chicken Foot opens (as itself, we assume). The 21-and-over show starts at 9 p.m. and unfolds at the Moonlight Lounge (120 Central SW). Artwork by Christoph Knerr. (Jessica Cassyle Carr)

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Song Roulette

Random tracks from Diego E. Montoya, fearless Alibi intern

Diego E. Montoya is a UNM student and Alibi editorial intern. He has a strong affinity for New Mexican music, which he exhibits on some days with sharp boots and a cowboy hat. However, he’s also a fan of the punk rock and has put an interesting spin on this week’s column—all random selections from a Warped Tour playlist. Below you’ll find no accordions, no polka beats and no mustaches.

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Sonic Reducer

The City Champs The Set-Up · The Suzan Golden Week For The Poco Poco Beat · Music is the Enemy Mr. Murdoch ... We're Ready for Our Target Audience

By Diego E. Montoya

The Set-Up, the second record from Memphis trio The City Champs, conjures a funky, instrumental, Mid-South-style jazz sound. Hammond organ takes the lead, while guitar and drums provide complementary rhythm. Almost every track runs more than four minutes long but keeps the listener captivated with a jam-session-like flow. The album blends fast- and slow-tempos, mixing boogaloo and Stax-influenced soul jazz.

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courtesy of the artist

EVENT HORIZON (Tuesday, Dec 1)

Bloodsuckers Licking Your Ears

Vampires Everywhere! • rock • Consider Me Dead • Set to Stun

By August March
Metalcore masters Vampires Everywhere! will be rising from their decrepit coffins…
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Kelly O.

EVENT HORIZON (Friday, Dec 4)

I Tawt I Heard a Puddytat

Tacocat • post post punk pop • Red Light Cameras

By Robin Babb
Everything about Tacocat is candy-coated. Technicolor-dyed hair, surfy guitar vibes and unabashed riot grrl revivalism combine in this energetic quartet from Seattle to make some of the best pop-punk tunes you’ve heard since you became okay with listening to pop-punk again. It’s good music for gleefully burning pictures of your ex. With punchy but sweet vocals and catchy choruses that you’ll be humming for days, their latest album NVM is worthy of heavy rotation. Their second LP (and first on the Hardly Art label), NVM features beefed-up production but the same garage-y, DIY sound from their earlier EPs, Woman’s Day and Take Me to Your Dealer. Stand-out tracks are “Crimson Wave” (which is about exactly what you think it’s about) and “Psychedelic Quinceñera,” a ballad about a girl who would rather forego the regular quinceñera formalities on her 15th birthday and get hella blitzed with her amigas instead. After exhausting the basement venues of Washington, Tacocat is heading inland on their winter tour with Sallie Ford. Red Light Cameras open. Pay your 10 bucks and get ready for the most colorful 21+ mosh pit of your life!
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