Since the beginning of time, or somewhere around then, the rabbit has been symbolically heterogeneous. Luck, innocence, fertility and trickery are all traits that surround the animal in folklore. This contrast is why Albuquerque’s Of God And Science chose the rabbit (indeed, the more mysterious black rabbit) as a mascot for a new album of mercurial compositions.
In the fall of 2009 I found myself in New Orleans again. I was celebrating a birthday and seeing shows I’d helped book for a New Mexico band. During that time, British group The Horrors was on tour and had a date at One-Eyed Jack’s, a small theater in the French Quarter. The opening act was Crocodiles, about which I knew nothing. The Horrors had recently made a shift from leather-clad garage rock to flowy-shirt post punk, and, for whatever reason, the band was clearly having a terrible night. Crocodiles, though, with buzzing guitars and indulgent disco beats, stole the show.
A plague befalls the Blackbird Buvette (509 Central NW) on Tuesday, Jan. 25, when DJ Caterwaul debuts a monthly, ochre-colored night known as Low Life. Expect deep psych, garage, punk, freaky rock and other sounds from his musical dungeon. The tunes begin at 9 p.m. Entry is free, but only for those of legal drinking age. (Jessica Cassyle Carr)
Bill Davis is the singer and guitar player for Dash Rip Rock—a New Orleans-based country punk band that’s been at it since 1984. The group is bringing its energetic live show to the Launchpad on Sunday, when Dash Rip Rock opens for fellow New Orleans rock outfit Cowboy Mouth. To get a peek into Davis’ music library, we asked him to put his iPod on shuffle. Below are the first five songs that appeared.