Alibi V.20 No.4 • Jan 27-Feb 2, 2011 ››
Rocking the Cradle
An interview with Dani Filth
Man, I’m going to take a rash of shit for this one, I can just feel it. But it’s not every day that one gets the opportunity to have a phone chat with the most famous metal midget on the face of the Earth, so I grabbed it. What can I say?
Joe del Tufo
Solo pianist plays well with others
You can hear Montana in the piano of Grammy-winner George Winston—the open space, the stillness, the wild scents on the wind. Though several decades removed from his Montana boyhood, Winston still clearly recalls the feel of each of the four seasons up in the north country, and those sense memories continue to animate his compositions and performances. They’ve long since been interwoven with a world of musical and geographical influences—from New Orleans pianist Professor Longhair to Hawaiian slack-key guitarist Gabby Pahinui, from jazz pianist/composer Vince Guaraldi to The Doors.
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Flyer on the Wall
Witness epic riffage at Launchpad on Friday, Jan. 28, when Sandia Man and Ghost Circles join forces and simultaneously release albums. Black Maria and Bellemah open the show, which starts at 9:30 p.m. Seven ducats admits those who are 21-and-over. (Jessica Cassyle Carr)
Ghost Circles’ Dave Jordan
Dave Jordan is a guitarist and vocalist for “nerdy, but heavy” local act Ghost Circles. On Friday the band is throwing a party at the Launchpad for “Ultimate Nullifier”—an EP released last month. The band plays alongside fellow purveyor of heavy music Sandia Man (which will be releasing a full-length album at the show as well). To get a feel for Ghost Circles’ constitution, we asked Jordan to set his music library to “random.” Below are the first five songs that surfaced.
Courtesy of the artist
TOKiMONSTA • electronic, hip-hop
Electronic experimentalist and heady hip-hop instrumentalist Jennifer Lee, better known as TOKiMONSTA, makes an appearance at the Historic El Rey Theater on Thursday, Sept. 28. An astral entity whose work with Project Blowed and Flying Lotus landed her squarely within the realm of El Lay’s underground hip-hop movement, Lee also happens to be a classically trained pianist. She is well-known for de-constructing the work of luminaries like Justin Timberlake and Yacht through remixes that absolutely come apart in your head as the beat drops—sometimes delicately, sometimes like thunder, but always with a focus that speaks volumes about her musical prowess and wonky tendency to digress upon subtle rhythms and beatific bits of melody. $17-$22, is all it costs the average 18+ listener to engage in the elusive what-comes-next nature of West-Coast grooviness. The curtain rises on TokiMonsta at 9pm.
Courtesy of the artist
Sorry Guero! • American death groove • Moonshine Blind • rock, country • The Lords of Wilmoore • punk rock • Cobra Vs. Mongoose
Hard rock is a thing that occasionally raises it's grizzled, drug-addled head in this dusty desert. It's a damn good thing the dude can play the guitar like ringing a bell. It also helps that the thing can sing. If not for these two crowd-pleasing aspects, Dirty City denizens would have booted hard rock and his ilk outta this town ages ago. If you still haven't been exposed to this phenomena, may I suggest you haul your hipster ass down to Launchpad on Saturday, Sept. 30, for the album release party hosted by Burque groove-metal stalwarts Sorry Guero! The entirety of the diamond tough, blue-jean-clad, head-banging subculture who worship hard rock will be there, solidly represented by bands like hillbilly-heshers Moonshine Blind and pure punk provocateurs such as the Lords of Wilmoore (eh, I lived on that street too, as an undergrad) and Cobra vs. Mongoose. So be there or be obtuse; it's only ten bones, okay?