Alibi V.20 No.15 • April 14-20, 2011 ››
Music to Your Ears
There’s such an abundance of exciting music events around town this week, it’s staggering. Here’s a rundown of the things not covered elsewhere in this here music section.
The Joy Formidable
Here comes happiness
The Joy Formidable transforms the Welsh landscape into sonic form with fuzzy guitar riffs layered over fast, heavy drum lines, with synth melodies and Ritzy Bryan’s vocals soaring over the chaos. The Joy Formidable’s U.S. tour includes a stop in New Mexico after swinging by Coachella—bringing aural Wales to the Launchpad on Wednesday, April 20.
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Flyer on the Wall
Bow Down to the Dutch Hercules
Tesco Vee is the loudmouthed wiseacre who co-founded Touch and Go magazine and the subsequent record label. He’s also front sleazoid for The Meatmen, a band formed in Lansing, Mich., at the dawn of hardcore punk. He and his meaty minions will be making costume changes and dirty jokes at the Moonlight Lounge on Tuesday, April 19, at 8:30 p.m. Against The Grain opens the adults-only show, and $10 gets your degenerate form through the door. (Jessica Cassyle Carr)
Why? • indie rock, alt.hip-hop, alt.rock, pop, folk • Go Dark • experimental
If you want a reminder—and not from Radiohead—that hip-hop is everywhere, even in the indie rock that millennials are sorta into (but only after they listen to every goddamn thing they can find by Kendrick Lamar) then trip, trip, trip on down to Sister on Monday, Feb. 19 at 8pm for a recital of sorts by Cincinnati alt-rappers cum indie rock stars, WHY? Founded by a dude named Yoni in the distant and unremembered aughts, WHY? has gained traction among rockish young audiences with their pop-nuanced mash-up of rocanrol and hip-hop. They got all kinda crazy rhythms, jams and flows going on betwixt rock references and may do some drugs; their latest effort is called Moh Lhean, after all. Additionally, the critics at Allmusic have judged their music as “quirky” which oughta count for something, amirite? They do have some pretty righteous tuneage, including works like “George Washington,” “White English” and “Into the Shadows of My Embrace.” Seriously, this one's worth the price of admission and if you're into skinny jeans and man buns, then damn, get out there, girl! The cover is $15 to $18, 21+.