Alibi V.20 No.16 • April 21-27, 2011 ››
Music to Your Ears
Two very different local acts are releasing shiny new recordings on Saturday, April 23. Read all about it after the jump.
Sunshine, Lollipops and Rainbows
In a world of nuclear meltdowns, political deception and never-ending piles of laundry, most of us could use a little fantasy. With a frilly and fanciful spirit, the Weekly Alibi’s Group Hug created the Spring Social—an evening of treats, mirror balls, balloons, flowers, unicorn horns and shimmery sounds. You’re invited.
An interview with Adam Hurt
The first name that pops into the brain whenever the word “banjo” is spoken is usually Earl Scruggs, who largely invented bluegrass banjo picking from scratch back in the ’40s. There are other banjo-playing styles, though, that are less well-known but just as captivating. Among aficionados of this kind of banjo picking, Adam Hurt is considered one of the best.
Random tracks from local hip-hop artist Justin Hood
Justin Hood is a local hip-hop musician and—once upon a time—was an excellent Alibi editorial intern. On Saturday, April 23, he releases The Falling Season at the Launchpad (618 Central SW). Peek into Hood’s music collection via the random selections below.
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Flyer on the Wall
All Locos Crabwalk
On Thursday, April 21, several diverse local acts— Chemtrail Pilot, Bud Melvin, Iceolus, Javelina, Cinik, and Blacker Guise (Alan George Ledergerber)—will form a circle. With the audience in the center, each will play one after another, around and around, until the result is one cacophonous improv session. The all-ages show happens at the Albuquerque Center for Peace and Justice (202 Harvard SE) from 8 to 11 p.m. Admission is by donation. (Jessica Cassyle Carr)
48th & Pixel, Phoenix
Mayo Lua de Frenchie's Golden Legends Variety Show • burlesque, comedy
Tap your way over to the local Downtown tavern Sister this Sunday, July 30, to support Albuquerque's very own nationally renowned burlesque dancer, Mayo Lua de Frenchie…
Rooney • indie • Run River North • folk rock
There is a striking absence of good rock music on the airwaves today. We have passed the glory days when kids and adults alike bonded over a couple of guitars and a drumset, as new heads try their hand at the more accessible sounds of electronic music and rap. There are those of us, however, who have not forgotten the thrill of playing air guitar and belting along to your favorite song. In his efforts to reaccess this primal energy, Robert Schwartzman—the mastermind behind the once-upon-a-time inescapable worm of a tune “Where Did Your Heart Go Missing”—has reformed his band Rooney…