Once upon a time, seemingly out of nowhere, came the New York Dolls. Formed in 1971, the band forged a distinct style of rock and roll and derived its shimmering androgynous look from transvestites. The music took elements from England’s glam rock movement, noisy and vulgar Detroit proto-punk acts like The Stooges and MC5, ’60s girl groups, and ’50s lo-fi rock and roll. The band endured through two albums before splitting up in 1977 as one of the most influential rock acts of all time.
The accordion is one of my favorite instruments. Its sound can be peppy, polka-y, haunting, mournful and, yes, even sexy. As such, I am predisposed to like this show, and I think it might turn you on, too. At Winning Coffee Co. on Wednesday, June 15, let the spirit of the sexy accordion take you. Two sultry accordion-toting performers from California will join Burque’s own Zoltan Orkestar in squeezing out vaudeville, cabaret, traditional French stuff and more.
In 1969, baby boomers came together in New York to enjoy three days of peace, music and the company of fellow long-haired, establishment-scorning hippies. Now New Mexico is hosting an event that plays on the moniker of that infamous fest, and it comes with a furry little twist. Combining live music, sleeping under the stars and the howls of wolves, the first Wolfstock kicks off this weekend.
A balance of painterly and graphic techniques are lent to gloomy blacks, whites and grayscale in what appears to be a bird-laden landscape print. Raven Chacon, Cristóbal Martínez, Kade L. Twist and Nathan Young make up the interdisciplinary American Indian arts collective Postcommodity. On Friday, June 10, they'll be doing a noise show at the Santa Fe Art Institute's Tipton Hall. The show begins at 6 p.m. Admission is $10 general, $5 for students/seniors/members. (Jessica Cassyle Carr)