
Once upon a time, seemingly out of nowhere, came the New York Dolls. Formed in 1971, the band forged a distinct style of rock and roll and derived its shimmering androgynous look from transvestites. The music took elements from England’s glam rock movement, noisy and vulgar Detroit proto-punk acts like The Stooges and MC5, ’60s girl groups, and ’50s lo-fi rock and roll. The band endured through two albums before splitting up in 1977 as one of the most influential rock acts of all time.
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The accordion is one of my favorite instruments. Its sound can be peppy, polka-y, haunting, mournful and, yes, even sexy. As such, I am predisposed to like this show, and I think it might turn you on, too. At Winning Coffee Co. on Wednesday, June 15, let the spirit of the sexy accordion take you. Two sultry accordion-toting performers from California will join Burque’s own Zoltan Orkestar in squeezing out vaudeville, cabaret, traditional French stuff and more.
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In 1969, baby boomers came together in New York to enjoy three days of peace, music and the company of fellow long-haired, establishment-scorning hippies. Now New Mexico is hosting an event that plays on the moniker of that infamous fest, and it comes with a furry little twist. Combining live music, sleeping under the stars and the howls of wolves, the first Wolfstock kicks off this weekend.
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A balance of painterly and graphic techniques are lent to gloomy blacks, whites and grayscale in what appears to be a bird-laden landscape print. Raven Chacon, Cristóbal Martínez, Kade L. Twist and Nathan Young make up the interdisciplinary American Indian arts collective Postcommodity. On Friday, June 10, they'll be doing a noise show at the Santa Fe Art Institute's Tipton Hall. The show begins at 6 p.m. Admission is $10 general, $5 for students/seniors/members. (Jessica Cassyle Carr)
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