Canadian rapper discusses day jobs, pretty hip-hop songs and his love of Albuquerque
By Summer Olsson
Buck 65 has created hip-hop music under the mainstream radar for more than two decades. Originally from Mount Uniacke, Nova Scotia, he taught himself to rap and DJ, then started recording in his bedroom. He’s earned a reputation for disregarding genre limitations. Buck 65, whose given name is Richard Terfry, raps over violins, collaborates with female vocalists in French, makes whole verses by cutting in single-word samples with turntables and does pretty much anything else he wants to. His new album, 20 Odd Years, is a tribute and testament to his life in music so far. Its 12 tracks, many of which were co-written and recorded with different collaborators, have snappy beats and smart lyrics. They also have lovely melodies, nods to multiple styles and equal parts of melancholy reflection and playful quirkiness. The Alibi called Terfry at his home in Toronto, during a few days off in the middle of his tour.
Placitas' cozy campfire concerts
By Sharla Biefeld
There are lawn chairs strewn across a sandy field, the sunset in front of you, Sandia Mountains behind you, people with picnic baskets, gourmet takeout, wine bottles and blankets. A singer stands on a trailer-turned-stage that’s painted to look like the New Mexican desert, complete with cacti and mountains against a blue sky. This is the Placitas Campfire Series.
Flyer on the Wall
Octopus imagery has reached meme status (while the meme has attained metameme status), but for good reason. Octopi posses eye-catching beauty, and the biology, behaviors and diversity of these aquatic creatures are just as mesmerizing. With the mighty, eight-tentacled invertebrate mascot on their side, three locals— Ghost Circles, Molat The Tank and Waiting For Satellites—fill Burt’s Tiki Lounge (313 Gold SW) on Friday, Aug. 5, around 10 p.m. (Jessica Cassyle Carr)
Courtesy of the Artist
Franks & Deans • punk rock, rock 'n' roll • Shrewd • Punctured Muffler • Silent Crush • metal
By August March
At some point during the progression of meta-ultra-postmodernism, it was only natural that a band covering Rat Pack tunes revisioned as rambling ska paeans or blisteringly buoyant punk anthems based on the imbibing and love-making habits of dudes like Frank Sinatra and Dean Martin would rise from the rocanrol cauldron. Well it's 2017 and such has indeed come to pass. The name of the band is Franks & Deans. They've succeeded by inflecting the sweepingly romantic, sometimes melancholy and nearly always self-referential ditties of these post-war, pre-rock vocal heroes with good-natured rhythms and danceable guitar leads—as well as an updated fashion sense that seems to borrow more from ZZ Top's summer style guide than from Robin and the 7 Hoods—that adds affable nuance to legendary, mid-century American popular music. Band members Rob DeTie, Mike "Pip" Ullemeyer, Hoss and Sampson await your indulgence at Low Spirits on Thursday, Feb. 23, and the admission price of $5 sure as heck beats dropping “Three Coins in the Fountain.”
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Todd Tijerina • blues, roots rock at The Cowgirl BBQ
The Octopus Project • Sound of Ceres • Euth Group • Death of an Empath at Winning Coffee Co.
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