Alibi V.20 No.34 • Aug 25-31, 2011 
The Dirty Novels

Aural Fixation

The Exploding Plastic Inevitable

Andy Warhol was among the most iconic and prolific visual artists of the 20th century, a highbrow and low class culture cultivator of profound influence. The pop artist is just as recognized for his soup cans or Marilyn Monroes as he is for the silver New York "Factory" where those works were produced (while his Superstars and other celebrities milled about, glamorously bored). But Warhol was also an avant-garde filmmaker, publisher, producer and dabbler in performance art. One facet of this multidimensional career was The Exploding Plastic Inevitable, a series of traveling multimedia shows that occurred between 1966 and 1967. The shows featured Warhol's films, dancing and performances by Factory regulars and house band The Velvet Underground.

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Slug
Dan Monick

Spotlight

The Man With the Tattooed Past

Atmosphere’s Slug on life after death

Minneapolis rapper Slug (aka Sean Daley) has been at the forefront of underground rap so long it's hard for hip-hop heads to remember when Atmosphere wasn't a household name. Backed by DJ and producer Ant, Slug created a revolution of emotionally raw lyricism wherein his unbridled ego—and the defense mechanisms and underpinnings that created it—were ever-present. More than 20 years down the road, his discography is as much the soundtrack of a generation and subculture as it is a catalogue of desperate but defiant barstool poetry. In advance of a show at the Albuquerque Convention Center, Slug spoke with the Alibi.

[click to enlarge]

Flyer on the Wall

Turbo Tunes

In tribute to Norwegian deathpunk band Turbonegro, local five-piece Ass Cobra will play its first and only show at Burt’s Tiki Lounge on Friday, Aug. 26. K.C. Strangle and Skulldron open the free festivities, which begin at 10 p.m. (Jessica Cassyle Carr)

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EVENT HORIZON ()

Searching for Something

¡Mayday! • Demrick • DJ Stigmata • Septicemia Records • rap, hip-hop

I’m not sure that the concept of “genre” is really relevant anymore in the realm of music. The days of “pure” music are long gone, and while this might leave some “old-heads” grumbling over message boards about the loss of “real rap” or “real jazz,” I think that for the most part this is a good thing. The possibilities are more abundant than ever before as artists dip their fingers in any number of genres and traditions. ¡MAYDAY! is one group embracing this diversity in their quest for success…
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