Alibi Bucks

 Aug 25 - 31, 2011 
The ExplodingPlastic Inevitable

Aural Fixation

The Exploding Plastic Inevitable

By Jessica Cassyle Carr

Andy Warhol was among the most iconic and prolific visual artists of the 20th century, a highbrow and low class culture cultivator of profound influence. The pop artist is just as recognized for his soup cans or Marilyn Monroes as he is for the silver New York "Factory" where those works were produced (while his Superstars and other celebrities milled about, glamorously bored). But Warhol was also an avant-garde filmmaker, publisher, producer and dabbler in performance art. One facet of this multidimensional career was The Exploding Plastic Inevitable, a series of traveling multimedia shows that occurred between 1966 and 1967. The shows featured Warhol's films, dancing and performances by Factory regulars and house band The Velvet Underground.

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Dan Monick


The Man With the Tattooed Past

Atmosphere’s Slug on life after death

By Sam Adams
Minneapolis rapper Slug (aka Sean Daley) has been at the forefront of underground rap so long it's hard for hip-hop heads to remember when Atmosphere wasn't a household name. Backed by DJ and producer Ant, Slug created a revolution of emotionally raw lyricism wherein his unbridled ego—and the defense mechanisms and underpinnings that created it—were ever-present. More than 20 years down the road, his discography is as much the soundtrack of a generation and subculture as it is a catalogue of desperate but defiant barstool poetry. In advance of a show at the Albuquerque Convention Center, Slug spoke with the Alibi.

Flyer on the Wall

Turbo Tunes

In tribute to Norwegian deathpunk band Turbonegro, local five-piece Ass Cobra will play its first and only show at Burt’s Tiki Lounge on Friday, Aug. 26. K.C. Strangle and Skulldron open the free festivities, which begin at 10 p.m. (Jessica Cassyle Carr)

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courtesy of the artist

EVENT HORIZON (Friday, Oct 16)

Snowy Egret Has Landed

Myra Melford’s Snowy Egret • piano, jazz, composer

By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
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