When the folks who book the Music in Corrales series approached Grammy-nominated, world-traveling jazz trumpeter Bobby Shewto open their 25th anniversary season, Shew was happy to accept. First of all, no flying: He can practically walk from his house to Old San Ysidro Church in Corrales, where the concerts are held. Second, he could work with Grammy-winning L.A. pianist/vocalist/composer John Proulx(rhymes with Shew) again. The two of them established a good rapport when they fronted a tribute to Chet Baker for the series a couple of years back, and they could team up once more with bassist Michael Glynn and drummer Cal Haines. But what to play?
Carla Bozulich has crooned, screamed and keened her way across the musical spectrum, right to its noisiest end. Her name might ring a bell to fans of the vintage-inspired alt.country band The Geraldine Fibbers. Or perhaps she pops into mind for remaking Willie Nelson’s Red Headed Stranger in its entirety. Way back in the early ’90s she was part of the cheeky, sexualized rock group Ethyl Meatplow. Today she’s the linchpin of Evangelista, a group that braids strange, moody threads of sound. The Alibi called Bozulich at home to talk about the creation process, emotional yin and yang, and positivity within the noise.
Crystal Castles • electropunk, synth pop, witch house
By August March
Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later”, the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here the the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.