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 Mar 1 - 7, 2012 

Spotlight

Jamalski

Joyful Altruistic Metaphysical Ageless Lover Seeks Knowledge Internally

By Geoffrey Plant

Jamalski is an internationally known MC who helped pioneer the reggae/hip-hop crossover genre both as a member of the Boogie Down Productions crew and as a prolific solo artist with hits such as “Jump, Spread Out.” His accomplished beats cover the gamut of hip-hop and dance styles. As long as it’s an underground scene, Jamalski’s into it. After spending most of the past decade living and playing in Europe, last year Jamalski moved his headquarters back to his hometown, New York City, and has adopted Albuquerque as his secondary base of U.S. operations. The Alibi spoke with him over the phone.

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Micky Patten, Bobby Shew, Cal Haines and Michael Anthony
Victoria Rogers

Jazzed

The Jazz Gospel According to Charlie Christian

Michael Anthony, Bobby Shew and friends celebrate guitarist’s innovations

By Mel Minter

Using a newfangled contraption, the electric guitar, and a mesmerizing facility for improvisation, Charlie Christian, born in 1916, helped transform the role of the guitar in jazz. The Oklahoma City native first made his mark in the swing era, joining Benny Goodman’s sextet and orchestra in 1939. (As the third black man hired by Goodman, he helped bury bandstand segregation.) He then helped transform jazz itself, collaborating with the likes of Dizzy Gillespie, Charlie Parker and Thelonious Monk as they worked out the rules of a brand-new musical language: bebop. He managed to accomplish all of this in just 25 years, passing away in 1942, a victim of tuberculosis.

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Flyer on the Wall

Beastly

Sult (Norwegian electro acoustic improv), Brachiator (experimental sounds by New Mexico’s Mark Weaver, Ben Wright and Christian Pincock), Alchemical Burn vs. AGL (drone competition) and DJ Caterwaul (vinyl records) constitute a far-out show at Moldspores (923 11th Street NW) on Sunday, March 4, at 7 p.m. Admission is $5 and all ages are welcome. (Jessica Cassyle Carr)

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Courtesy of the Artist

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Their Kindness is Charade

Crystal Castles • electropunk, synth pop, witch house

By August March
Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
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Courtesy of the Artist

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Special Beat Service

The English Beat • ska

By August March
Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later”, the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here the the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.
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