Alibi V.13 No.1 • Jan 1-7, 2004 

Year in Music

Weekly Alibi's Guide to the Best CDs of 2003

Rather than promote yet another annoying ballot on which most people in past years have penciled in their votes for Xtina, Britney, Limp Shitstick, and so on and so on, I decided to foist upon you my own picks for the best music of 2003. Undoubtedly, many of you will disagree with my picks and/or be disappointed that your personal faves didn't make this cut. But frankly, after a decade of sifting through literally thousands of CDs looking for a few gems worthy (mostly) of review in this fine publication, I believe I've earned the right to force my opinion on what records to buy down your gullet. That's what I like to think anyway. Without further ado, I proudly present what I honestly believe to be the best music released during the past year.

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Red Light Cameras • indie rock • Jared and the Mill • The Timewreckers • cosmic country

   The favorite, most popular pop band in Dirt City is named after a thing that no longer exists here. No, dudes, it's not the dinosaurs or the inherently racist educational institutions of el duque that one thinks of in such situations; rather it's the Red Light Cameras. ¿Los Recuerdas? Consequently, besides a lot of happy motorists, there's the story of a band here too. That resulting rocanrol ensemble, The Red Light Cameras, continue to draw huge audiences all over the state and now you can count yourself among the lucky humans who've seen them perform when they appear at Sister on Wednesday, March 7 at 8pm. Phoenix indie unit Jared & The Mill are also on the bill. For realz rockers—and perhaps heirs to RLC's guilded throne—The Timewreckers, open. Showtime is 8pm with a $5 cover and 21+. 
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