Alibi V.13 No.9 • Feb 26-March 3, 2004 ››
Music to Your Ears
Several months ago, Alibi reported that Club Rhythm and Blues, sadly, was closing, at least temporarily. The news set off something of a firestorm with regard to those involved in the exceptional Nob Hill live music venue at the time, but came from an inside source and, lo and behold, turned out to be true. Club Rhythm and Blues officially closed its doors following a farewell Halloween show last year. But as further proof of reincarnation, we're happy to announce that Club Rhythm and Blues will reopen in March with a month-long series of events planned as the grand reopening celebration. The doors will open for the first time in more than four months on Thursday, March 4, to reintroduce the club to its former cast of regulars and, with a little luck, a new crop of live music fans. On Friday and Saturday, March 5 and 6, Albuquerque Blues Connection will take the stage, ushering in the first weekend of live music under the new ownership.
Outpost Productions and Weekly Alibi Present Guitarist Extraordinaire Pierre Bensusan
Neil Young and Crazy Horse
Saturday, Feb. 28; Tingley Coliseum (all ages, 7 p.m.): Neil Young has spent nearly 40 years exploring the American Dream on big-picture terms—not just the wife, car and 2.3 kids all crammed into a little house with a white picket fence, but the essence of the American experience. And as an outsider (Young is Canadian) he's been more successful than most.
A polka party brought to you by the fine folks at KUNM. Please show up so Mary B. doesn't go crazy.
Friday, Feb. 27; The Paramount (Santa Fe, 21 and over, 7:30 p.m.)/Saturday, Feb. 28; Sunshine Theater (all ages, 7 p.m.): Go ahead. It's OK to hate polka. Until you see Denton, Texas-based Brave Combo, that is. After that, hating polka—or at least Brave Combo—will be as impossible as remembering the day you were born.
Sublimely gorgeous and simple in its elegance, Norah Jones' second record is everything the 8 million people who bought her debut expected and, surprisingly, more. Teamed again with producer Arif Martin, Jones teeters on the brink of being a jazz singer through 13 tracks of intensely lovely pop, where melodies float effortlessly over quietly understated instrumentation. There are three highly effective covers here, including Tom Waits' “The Long Way Home,” but it's the songs penned by Jones herself and in the company of bassist Lee Alexander that shine most brilliantly. Buy this record.
Miss May I • Ice Nine Kills • metal • Capsize • alternative, melodic hardcore • Lorna Shore • emocore • Westwind
If you still haven't had your fill of melodic hardcore, emocore and/or emo with no chaser—and lord knows who hasn't; I still dream of Hawthorne Heights every night before jumping up from my La-Z-Boy recliner and toddling off to bed—then do yourself a solid and visit Albuquerque's home for rock…
Courtesy of the artist
TOKiMONSTA • electronic, hip-hop
Electronic experimentalist and heady hip-hop instrumentalist Jennifer Lee, better known as TOKiMONSTA, makes an appearance at the Historic El Rey Theater on Thursday, Sept. 28. An astral entity whose work with Project Blowed and Flying Lotus landed her squarely within the realm of El Lay’s underground hip-hop movement, Lee also happens to be a classically trained pianist. She is well known for deconstructing the work of luminaries like Justin Timberlake and Yacht through remixes that absolutely come apart in your head as the beat drops—sometimes delicately, sometimes like thunder, but always with a focus that speaks volumes about her musical prowess and wonky tendency to digress upon subtle rhythms and beatific bits of melody. $15 is all it will cost the average 18+ listener to engage in the elusive what-comes-next nature of West-Coast grooviness. The curtain rises on TokiMonsta at 9pm.
Courtesy of the artist
Sorry Guero! • American death groove • Moonshine Blind • rock, country • The Lords of Wilmoore • punk rock • Cobra Vs. Mongoose
Hard rock is a thing that occasionally raises it's grizzled, drug-addled head in this dusty desert. It's a damn good thing the dude can play the guitar like ringing a bell. It also helps that the thing can sing. If not for these two crowd-pleasing aspects, Dirty City denizens would have booted Hard rock and his ilk outta this town ages ago. If you still haven't been exposed to this phenomena, may I suggest you haul your hipster ass down to Launchpad on Saturday, Sept. 30, for the album release party hosted by Burque groove-metal stalwarts Sorry Guero! The entirety of the diamond tough, blue-jean-clad, head-banging subculture who worship hard rock will be there, solidly represented by bands like hillbilly-heshers Moonshine Blind and pure punk provocateurs such the Lords of Wilmoore (eh, I lived on that street too, as an undergrad) and Cobra vs. Mongoose. So be there or be obtuse; it's only ten bones, okay?