The Eyeliners are back on the radar this week, and are pleased to announce plans for a new record in the near future. The prolific punk rock trio were recently approached by Joan Jett and Joan Jett and the Blackhearts producer Kenny Laguna about working together on a new album to be released on Jett's Blackheart Records. The Eyeliners will begin recording next month in New York City. Eyeliners bassist Lisa says the band have 14 new songs ready to go that are far better than anything they've done in the past, saying, “We have grown so much as musicians in the time since Sealed With A Kiss was released and we intentionally spent a lot of time writing this record. We have never had the extravagance of spending this much time in the studio, so [we] promise that this album will be well worth the wait.” ... Local Top 40 cover band Wyld Country will give a free concert on Saturday, March 27, at Camel Rock Casino (10 minutes north of Santa Fe) at 9:30 p.m. in the Rock Showroom in case you get sick of losing at the roulette table. ... Violinist Willy Sucre and a few of his musical pals will perform once again for the Placitas Artists Series on March 28, at Las Placitas Presbyterian Church at 3 p.m. The quartet will perform works by Copland, Steinbach and Brahms. Tickets are $15. Call 867-8080 or visit www.PlacitasArts.org for more information.
There's really nothing surprising about Roswell Rudd's latest musical endeavor. To be sure, a duo consisting of trombone and fingerpicked acoustic guitar is an unlikely combination of instruments to say the least. But Rudd, afterall, is considered one of the pioneers of avant-garde and free jazz. Rudd recently questioned in a public letter how a 68-year-old veteran Dixieland player such as himself could still be considered avant-garde. Well, Ros, there ain't too many 68-year-old trombonists tearin' it up on stage with acoustic guitar virtuosos in a free jazz format.
Wednesday, March 31; El Rey Theater (21 and over, 8 p.m.): Not surprisingly, Jimmie Vaughan has long been overshadowed as a musician by the astonishing six-string prowess of his late younger brother Stevie Ray. But it was the tragic death of Stevie, not that he was a far superior guitarist to Jimmie as many believe, that forever enshrined him as the greatest blues revivalist that ever lived. Fact is, it was Jimmie Vaughan that captivated American audiences in the '70s and '80s with the most original blues sounds since Buddy Guy. It was Jimmie who inspired Stevie Ray to play. See, Jimmie's the roots of it all, widespread popularity notwithstanding.
Thursday, April 1; Macey Center (N.M. Tech Campus, Socorro, all ages, 8 p.m.)/Saturday, April 3; Outpost Performance Space (all ages, 8 p.m.): Chris Smither always manages to sound real on his records. Like he's living the songs he sings every day. In a sense, that's exactly what the 50-year-old acoustic bluesman is doing—living the very truths he sets to music. Smither's childhood wasn't unpleasant, but it wasn't stable either. His parents, university professors, moved the family from Miami to Ecuador to Texas to New Orleans to Paris back to New Orleans, all by the time Smither was 13 years old and already fascinated by music.
The Foxx guitarist/vocalist Juliet Legend has found her niche. After several recordings and tours with the Rondelles, she's proceeded to co-front a band that perfectly blends campy '60s pop and the kind of trashy '70s glam rock that exploded out of Alice Cooper and the New York Dolls. Garage guitars and a strict Romantics groove lend themselves perfectly to dual, male/female vocals and syrupy-but-sincere lyrics, mostly about the boy-girl stuff that makes the world go 'round. "Ready to Go" is a hit waiting to happen, and my current favorite song, period. The next band signed out of Albuquerque? Very likely.