Alibi V.13 No.24 • June 10-16, 2004 

Music to Your Ears

For those of you who don't know, especially club owners and talent buyers, our calendars editor of the past two-and-a-half years, Rachel Heisler, has moved on to the hellish desert shithole that is Las Vegas, Nev., where she hopes to land a job with the Las Vegas Weekly and pursue musical endeavors. Luckily, though, we won't have to 86 our calendars, because the more-than-capable and immensely talented and friendly Laura Marrich (pronounced Merrick, like the Elephant Man) has come on board as our new calendars editor. All calendar rules remain the same, but you'll need to contact lauram@alibi.com (or clubcal@alibi.com for those of you bad with names) to continue to get your listings published for free. Good luck, Rachel, and welcome Laura! ... Whatever you do, don't miss Alabama Thunderpussy with Rwake and our own Fivehundred on Friday, June 11, at the Launchpad. ... On Friday, June 18, the Mountainside YMCA will host “Band Together,” a showcase of local bands at the Mountainside branch (12500 Comanche NE, 292-2298) from 7 p.m. to midnight. The event will be headlined by Unit 7 Drain at 11:15 p.m. and is sponsored by the fine folks at Music Go Round, so that's where you should spend your money. Look for details right here in next week's issue.

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Blue Note

The Tommy Castro Band

On his first album for Heart & Soul Records, Bay Area bluesman Tommy Castro makes it abundantly clear that there's no room in his soul for blues-lite. Gratitude is marked by its staunch refusal to shove anything but pure, expressively crafted jump blues across the table, all of which, in this case, was written by one of Castro's influences. Backed by a phenomenal band, including saxophonist Keith Crossan, Castro steps his best Albert Collins up to the plate—a fiery guitar style not, thankfully, mired in cliché ridden Texas blues, the West Coast rut or the safety of the Chicago sound. Instead, Castro infuses hints of classic R&B and blues rock into this collection, affording himself songs that virtually stand alone among contemporary blues.

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Sonic Reducer

Patton Oswalt Feelin' Kinda Patton (United Musicians)

Comedian Patton Oswalt has appeared in plenty of movies and on television shows from “Late Night” to “The Man Show,” but his first full-length recording contains material more akin to his HBO specials. Feelin' Kinda Patton runs the rather broad comedic gamut between dick jokes and high-brow analyses of the impending apocalypse. Oswalt handles all of his material with the same verve and panache as comedy's current Golden Boy, David Cross, but he's got his own brand of edginess. This one's a screamer by any standard, and specifically geared toward Bill Hicks' fans.

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Interview

Rock 'n' Roll Over and Over and Over ...

My Last KISS Interview Ever (with apologies to Brett Baker)

Farewell, my ass. Count KISS among the many bands who've hoopla'ed their farewell tours only to quietly hit the road again shortly thereafter in search of more money, acceptance and, as KISS founding member Paul Stanley puts it, the "high." So they changed their minds. So what? Michael Jordan did it. Dennis Rodman is threatening to do it and the number of rock bands that have done it—many of them multiple times—is nearly inconceivable.

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courtesy of Prism Bitch

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But I Like It

Prism Bitch • punk • Shitty and the Terribles • garage • Gerunding

Let's be clear: the premier psych-y, slithery rocanrol event of February takes place at (where else) the Launchpad on Friday, Feb. 23. That's when local sultry sound stars and de facto leaders of the soulful garage rock unit of this city's scene, Prism Bitch—that would be Lauren Poole, Lilah Rose, Chris Walsh, Teresa Cruces and Nelson Crane—take the stage to blind you with sonic and spectral divination from out the mouths of prison-bound purveyors of a sort of electric blues that takes plenty of pop turns as it smolders and then catches fire all hot and shit. Shitty and the Terribles, say they're punk rock, but their vibe feels more no-wave to me, complete with Nueva York style aggression and power chords. Whatever, they totally rock; psych-pop pronunciators Gerunding (everything they sing ends in -ing, one hopes)—a duo that features Mag Kim and Racheaella Ceniceros—open up this super psychedelic can of worms that are actually magic mushrooms that are actually … oh my gawd, you better go and see for yourself. 9pm • $7 • 21+.
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Great EXXXpectations

The Open Bra • Mayo Lua de Frenchie • Miss Behavin • Burlesque improv competition • DJ CS Rucker • dance, house

Work up your courage or down a few beers this Saturday, Feb. 24 at Duel Brewing and take the stage for the The Open Bra, a bi-monthly burlesque improv competition. Performers are assigned a song at the beginning of the evening, and then hit the stage to enchant the audience and judges Miss Behavin, Mayo Lua de Frenchie and Annie O'Roar. And hey, if you're too nervous to take a turn dancing, you still get to weigh in on runner-up and winner slots as a member of the kowtowing crowd. This free, 21+ doors at 8pm and the event begins at 9pm. Plan on staying late for a dance party afterwards.
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Popular

Red Light Cameras • indie rock • Jared and the Mill • The Timewreckers • cosmic country

   The favorite, most popular pop band in Dirt City is named after a thing that no longer exists here. No, dudes, it's not the dinosaurs or the inherently racist educational institutions of el duque that one thinks of in such situations; rather it's the Red Light Cameras. ¿Los Recuerdas? Consequently, besides a lot of happy motorists, there's the story of a band here too. That resulting rocanrol ensemble, The Red Light Cameras, continue to draw huge audiences all over the state and now you can count yourself among the lucky humans who've seen them perform when they appear at Sister on Wednesday, March 7 at 8pm. Phoenix indie unit Jared & The Mill are also on the bill. For realz rockers—and perhaps heirs to RLC's guilded throne—The Timewreckers, open. Showtime is 8pm with a $5 cover and 21+. 
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