Prism Bitch Destroys Sister
Regional rockers from Boise and Santa also kill it
Music to Your Ears
Jason Daniello will celebrate the release of his latest CD on Friday, Oct. 22, at the Launchpad with Oktober People, Spybox and Alex Rose (formerly of Mistletoe). Regrettably, I haven't heard the record yet, so there's not much more to say except, “Show up!” ... In other exciting news, the Launchpad will host an introductory party on Saturday, Oct. 23, for Albuquerque's brand new independent record label, Detach Records. Described by local musician and Detach officer Jeremy Fine as a co-op of sorts, involving the money, effort and other resources from friends and other parties interested in creating a community in which the bands themselves decide their ultimate fate.
Putumayo Presents: “Latinas”
featuring Mariana Montalvo, Totó La Momposino and Bêlo Velloso
Thanks to the United States' installation of Chilean dictator Augusto Pinochet in 1973, singer/poet Mariana Montalvo was forced to leave her home at the age of 20 for exile in Paris, where she has lived and worked ever since. “I've lived less than half my life in Chile,” says the 51-year-old Latina artist, who insists that her heart never really left the country. “The clay that I'm made from came from Chile, but it was cooked in Europe,” she continues. And it is her roots in Chilean music that helps to keep her pan-European cache of artistic influences grounded in tradition. That said, Montalvo's latest CD, Piel de Aceituna (Harmonia Mundi/World Village) spans a musical gamut from indigenous roots to tropical dance to reggae.
with Fireball Ministry
Monday, Oct. 25; Sunshine Theater (all ages, 8 p.m.): According to Ronnie James Dio's publicist, he's got perhaps the strongest voices in metal. He's also perhaps the biggest cheeseball still working in the genre. But now that his days of battling eight-foot pneumatic spiders with a broadsword are over and he's found himself comfortably on the Sanctuary Records roster with every not-quite-washed-up '80s metaler you can think of, he's managed to make a hell of a record. Master of the Moon is a representation of pre-thrash classic metal at its finest, in no small part due to the return to the Dio fold of guitarist Craig Goldy, who filled the shoes of Scottish guitar god Vivian Campbell when he left Dio back in the day. Other current members include drummer Simon Wright (AC/DC) and former Ozzy/Quiet Riot/Whitesnake bassist Rudy Sarzo (former Dokken bassist Jeff Pilson played on the record). It's no Mob Rules, but it's better than most of the shit that passes for old-school metal today.
Colonel Claypool's Bucket of Bernie Brains
Saturday, Oct. 23; Sunshine Theater (all ages, 8 p.m.): Frankly—and this is nothing new—there are few things on God's green Earth that annoy more than most later Primus albums. One of those things happens to be the ubiquitous Buckethead, whose mere presence rivals his guitar playing on the annoying scale. That said, Les Claypool's latest project featuring (fucking goddamned) Buckethead, former Primus drummer Brain and Parliament/Funkadelic organmeister Bernie Worrell kicks some serious funk ass. The latest Claypool platter, The Big Eyeball in the Sky (Prawn Song) is chock full of Claypool's virtually unlistenable vocal nonsense, ridiculous lyrics and gratuitous overplaying from every member but Worrell, but I still love it for reasons I can't fully explain. And in a live setting, I can't imagine this particular group of personalities and extreme talents being anything but jaw-dropping.
Hot Water Music
with Alexisonfire, Planes Mistaken for Stars and Moments in Grace
Sunday, Oct. 24; Launchpad (all ages, 7 p.m.): Crossing elements of D.C. hardcore, dusky Midwestern emo and New York-style prog-core, Gainesville, Fla.'s Hot Water Music have been making bristling, isolationist punk rock since 1994. But over the course of nine full-length recordings and a handful of EPs and compilation appearances, they never seem to be the same band twice. Which has turned out to be a very good thing for band and fans alike.
The ICP Orchestra
featuring Misha Mengelberg and Han Bennink
Monday, Oct. 25; Outpost Performance Space (all ages, 7:30 p.m., call 268-0044 for tickets): No, not Insane Clown Posse. In this case, ICP stands for Instant Composers Pool, headed by pianist Misha Mengelberg and drummer Han Bennink, and consisting of eight additional musicians who engage in “instant composing” and “conducted improvisation.” If that sounds like a recipe for musical chaos, that's because it is. Audiences will either find the ICP Orchestra's musings completely unlistenable or exercises in pure musical genius. And while I can't claim to know or understand much about the music on ICP's most recent recording, Aan & Ing (ICP), there's no question that all players involved are highly evolved. At times, tunes border on cacophony. At others, very definite melodies and rhythmic cycles are apparent. It's music that requires the full attention of the listener, and it can be a chore. But there are enough jovial moments of beauty and intrigue to pique the curiosity of just about any seasoned jazz fan.
Chet Atkins The Essential Chet Atkins: The Columbia Years (Columbia Legacy)
On one hand, Chet Atkins was largely responsible for the slicker-than-shit “Nashville sound” that to this day makes fans of traditional and outlaw country cringe. On the other, he's part of the reason country music ever made it out of the juke joints and rural communities of the '50s. And as a fingerpicking guitarist, Atkins was and remains without peer. By the '80s and '90s, Atkins had turned his attention largely toward jazz, resulting in some of the most wondrous instrumental guitar music ever put to tape. Much of it is included here. The Essential just that. A must-have.