The Year in Music
Weekly Alibi's Guide to the Best Ear Candy of 2004
By Michael Henningsen
At the end of each year, when I'm inspired to relax for a moment and take a look back, I always come back to the same realization: I have very little, if anything, to bitch about. I love music, I love to write, I love to spew my opinions all over the place and I happen to hold the position of music editor at the second largest, and arguably most hip entertainment and culture newspaper in the city I was born and raised in, and am irrevocably attached to ... score! And one of the many perks this job provides is being able to backtrack through 12 months of music—some of it fantastic, some of it excruciatingly bad—in an effort to compile an annual list of the CDs that have most positively affected my life over the past year. It's one of the most difficult parts of the job considering the sheer number of new releases I wade through each calendar year, but it's also one of the most rewarding tasks I'll ever undertake.
The Year in Music Uncensored
A Look Back at Some Fantastic Releases That Didn't Quite Make the Final Cut
By Michael Henningsen
This little “websclusive” feature was assembled as a reminder of just how much great music came out in 2004, and hopefully offers at least a few more national and local releases to add to your wish list.
courtesy of the artist
Vampires Everywhere! • rock • Consider Me Dead • Set to Stun
By August March
Metalcore masters Vampires Everywhere! will be rising from their decrepit coffins…
Tacocat • post post punk pop • Red Light Cameras
By Robin Babb
Everything about Tacocat is candy-coated. Technicolor-dyed hair, surfy guitar vibes and unabashed riot grrl revivalism combine in this energetic quartet from Seattle to make some of the best pop-punk tunes you’ve heard since you became okay with listening to pop-punk again. It’s good music for gleefully burning pictures of your ex. With punchy but sweet vocals and catchy choruses that you’ll be humming for days, their latest album NVM is worthy of heavy rotation. Their second LP (and first on the Hardly Art label), NVM features beefed-up production but the same garage-y, DIY sound from their earlier EPs Woman’s Day and Take Me to Your Dealer. Stand-out tracks are “Crimson Wave” (which is about exactly what you think it’s about) and “Psychedelic Quinceñera,” a ballad about a girl who would rather forego the regular quinceñera formalities on her 15th birthday and get hella blitzed with her amigas instead. After exhausting the basement venues of Washington, Tacocat is heading inland on their winter tour with Sallie Ford. Red Light Cameras open. Pay your 10 bucks and get ready for the most colorful 21+ mosh pit of your life!
Open Mic at The Blue Grasshopper Brew Pub
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