Alibi V.14 No.31 • Aug 4-10, 2005 

Music to Your Ears

Stella Blue is closed, potentially forever. Nob Hill's premier dead-head bar and live music venue shut its doors a week ago for one reason or another. If you know anything about Stella's disappearance, drop me a line.

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Music Magnified

Dance Disaster Movement

with Kill Me Tomorrow, Veronica Lipgloss and the Evil Eyes, and Weapons of Mass Destruction

Monday, August 8; The Launchpad (21 and older): If the world were taken over by robots, and heaven knows it won't be long now, Dance Disaster Movement's assertively pulsating tracks would be prominently featured on the robots' iTunes party shuffle. Before that charming postapocalyptic scenario occurs, however, DDM has plenty to offer the ears of the human race as well. Somewhere between the Clash on a very bad acid trip and a break-beat fueled rave, DDM pumps out aggressively danceable music that would make even the most docile of crowds want to haphazardly flail their limbs about. Hey! Those could be your limbs if you stop by the Launchpad on Monday, when DDM plays a 21-and-over show. Joining DDM at the ’pad' is "noir wave" trio Kill Me Tomorrow. KMT is one of those bands that, much like a Jackson Pollock painting, draws criticism for not really being art. Upon a second, third or maybe fourth listen, however, a discerning ear will find that KMT's highly abrasive cacophony of effects pedals, drums, synthesized keyboards and various other disharmonious sounds can definitely be considered musical art. Heck, you can even dance to it, if you don't mind throwing your back out. KMT isn't just about fast-paced, murderous electronic rock, though. They can bring it down several notches on songs like "Liason" that have a much less chaotic and almost, dare I say, pop-ish feel. So go on and shake off those Monday blues. All I ask is you dance responsibly.

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Cassandra Iams

Music Magnified

Channing Cope

with Thee Fine Lines and Jealous Gods

Sunday, August 7; Atomic Cantina (21 and over): You might find yourself in a self-reflective haze after just a few seconds of Channing Cope's hauntingly soothing melodies. Even a short listen evokes a feeling of bemused calm that doesn't go away until well after the music ceases. Their songs would be fully sedative if not for sporadic, dissonant guitar notes added to more prevalent, subtle symbol crashes and otherwise understated guitar. In essence, the band is a less drone-happy stripped-down hybrid of Mogwai and The Shipping News. The San Diego trio, composed of bassist/vocalist Ali Deniz Ozkan, guitarist Kenny Schulte and drummer Chris Conner, has gained critical recognition for their EP Leaving the Ramp and their full-length release, 2004's Sugar in Our Blood. Both records reveal a band that shies away from complexity while narrowly avoiding high impact crescendos. Most of their songs are about five minutes long, which gives the band just enough time to develop depth without becoming tedious. You could sip your beer coolly and calmly all night long when Channing Cope plays the Atomic Cantina on Sunday, but don't be surprised to find a few tears at the bottom of your glass. Joining Channing Cope on Sunday are lo-fi garage rockers Thee Fine Lines. Their unapologetic, happy-go-lucky approach will provide a nice contrast to Channing Cope's laid-back tunes. Sit back, relax and nurse your wounds to Channing Cope, then slam a few beers and get rowdy as hell with Thee Fine Lines.

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Show Up!

The Suicide Machines

with Lost City Angels, Bullets to Broadway, and Travisty and the Screwups

Suicide Machines guitarist Dan Lukacinsky puts it right out there: "Punk isn't dangerous anymore, and it should always be dangerous to the government, to the establishment and to the powers that be."

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Spotlight

Romeo Goes To Hell: It's a Blast!

People, Rachel plays the damn guitar—not the bass

Oh, hell yeah, Romeo Goes to Hell is releasing their first album entitled Two Car Garage Rock. The Albuquerqueans who label (or are forced by people like me to label) their music as two-car garage rock, or punk by default, came into existence in late 2002 and contain a year-old line-up comprised of Levi Eleven on bass, Noelan Ramirez on drums, Josh King on keyboards, Rachel Luhan on guitar and world-class ladies man Rexx Ruthless (swoon) on guitar as well. Everyone sings.

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Sonic Reducer

Ya Ya Boom Project Pink Insides (Punkin Head Records)

Consider putting on Ya Ya Boom Project's Pink Insides before beginning any number of grueling tasks. Whether it's competing in a triathlon or pulling mysterious chunks of hair from your shower drain, Pink Insides will give you the burst of energy you need to complete your endeavor in no time. The record gets most of its mileage from Marisa Demarco's vibrato-heavy vocals that are two parts Gwen Stefani and one part Agent M from Tsunami Bomb. At its core, Pink Insides is a clunker-free album of immediately gratifying and resourceful pop music.

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EVENT HORIZON ()

Fleece Navidad

Ugly Sweater Party • DJ Young Native • electronica, hip-hop

Don your finest ugly holiday sweater, or show up ready to purchase one this Thursday, Dec. 21, at Marble's Westside Tap Room. There are very few times during the calendar year where we can reasonably embrace bells, snowmen, glitter and bows on our clothing. Don't miss out on the Ugly Sweater Party of all things tacky—it's as easy as showing up at the bar off Unser anytime after 7pm. DJ Young Native will be playing all your favorite `80s and holiday tunes, and the whole shebang is free.
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Courtesy 1990s rave archives, 6AM Group

EVENT HORIZON ()

I scratched 'til I Bled

I Love the 90's • dance party

I love the '90s. Well, not as much as I love the '80s. Then there's the '70s to reckon with. I sorta remember the '60s, those were pretty exciting too, especially the end bits, after the summer of love, yo. But, if you're like me, music of the '90s is totally worth listening to over and over, particularly the grand cultural treasure trove of tuneage that came into being after the elfin guitar god from the north woods passed into enternity in April 1994. The music that was made to dance to back then, guess what? You can still dance to it; the stuff's been miraculously preserved in some kinda digital medium and you can shake you booty to exactly that on the evening Friday, Dec. 22. Prepare yourself for an aural onslaught featuring the likes of Tone-Loc, Mariah Carey, Brittney Spears and Vanilla Ice. They'll all be righteously represented at the I Love the '90s Video Music Dance Party happening Downtown at the Sunshine Theater, so dig out some Funky Cold Medina and leave your cell phone at home (because, they didn't like really have those until1998, amirite?) for a night of reflection on what the past 27 years have wrought. $10 for entry and 18+ to dance, 21+ to drink and dance.
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Photo on VisualHunt / Public Domain Dedication
, CC0 1.0 Universal (CC0 1.0)

EVENT HORIZON ()

Mix it up a little

MIXXD • Ana M • house, g-house, tech house, techno, UK garage, minimal • BadCats

MIXXD is a loosely organized yet totally groovy collective of electro-wizards, multiverse mixers and tuned-in turntableists. They occasionally get together in Albuquerque clubs in order to toss glittery music dust, cray incantations and heady, extravehicular space explorations via vinyl and tape into a world that absolutely needs rhythm in order to survive the mundane purity of everyday life. This iteration of a trance and/or dance inducing solution to your holiday tribulations, a bright bauble of a thing called NM LOVE MIX WINTER is available for consumption on Saturday, Dec. 23, and features the following DJs: BadCat (Jennifer Highfield Castro), Ana M (Ana Martinez), Liminal Spaces (Máté Fischer) and H.P. Dubcraft (Hank Padilla) at Sister. Being there will mean giving in to your highest holiday hankerings, so what the heck, live a little! Free before 10pm, $5 after 10pm. 21+.
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