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 Aug 4 - 10, 2005 

Music to Your Ears

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Stella Blue is closed, potentially forever. Nob Hill's premier dead-head bar and live music venue shut its doors a week ago for one reason or another. If you know anything about Stella's disappearance, drop me a line.

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Music Magnified

Dance Disaster Movement

with Kill Me Tomorrow, Veronica Lipgloss and the Evil Eyes, and Weapons of Mass Destruction

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Monday, August 8; The Launchpad (21 and older): If the world were taken over by robots, and heaven knows it won't be long now, Dance Disaster Movement's assertively pulsating tracks would be prominently featured on the robots' iTunes party shuffle. Before that charming postapocalyptic scenario occurs, however, DDM has plenty to offer the ears of the human race as well. Somewhere between the Clash on a very bad acid trip and a break-beat fueled rave, DDM pumps out aggressively danceable music that would make even the most docile of crowds want to haphazardly flail their limbs about. Hey! Those could be your limbs if you stop by the Launchpad on Monday, when DDM plays a 21-and-over show. Joining DDM at the ’pad' is "noir wave" trio Kill Me Tomorrow. KMT is one of those bands that, much like a Jackson Pollock painting, draws criticism for not really being art. Upon a second, third or maybe fourth listen, however, a discerning ear will find that KMT's highly abrasive cacophony of effects pedals, drums, synthesized keyboards and various other disharmonious sounds can definitely be considered musical art. Heck, you can even dance to it, if you don't mind throwing your back out. KMT isn't just about fast-paced, murderous electronic rock, though. They can bring it down several notches on songs like "Liason" that have a much less chaotic and almost, dare I say, pop-ish feel. So go on and shake off those Monday blues. All I ask is you dance responsibly.

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Cassandra Iams

Music Magnified

Channing Cope

with Thee Fine Lines and Jealous Gods

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Sunday, August 7; Atomic Cantina (21 and over): You might find yourself in a self-reflective haze after just a few seconds of Channing Cope's hauntingly soothing melodies. Even a short listen evokes a feeling of bemused calm that doesn't go away until well after the music ceases. Their songs would be fully sedative if not for sporadic, dissonant guitar notes added to more prevalent, subtle symbol crashes and otherwise understated guitar. In essence, the band is a less drone-happy stripped-down hybrid of Mogwai and The Shipping News. The San Diego trio, composed of bassist/vocalist Ali Deniz Ozkan, guitarist Kenny Schulte and drummer Chris Conner, has gained critical recognition for their EP Leaving the Ramp and their full-length release, 2004's Sugar in Our Blood. Both records reveal a band that shies away from complexity while narrowly avoiding high impact crescendos. Most of their songs are about five minutes long, which gives the band just enough time to develop depth without becoming tedious. You could sip your beer coolly and calmly all night long when Channing Cope plays the Atomic Cantina on Sunday, but don't be surprised to find a few tears at the bottom of your glass. Joining Channing Cope on Sunday are lo-fi garage rockers Thee Fine Lines. Their unapologetic, happy-go-lucky approach will provide a nice contrast to Channing Cope's laid-back tunes. Sit back, relax and nurse your wounds to Channing Cope, then slam a few beers and get rowdy as hell with Thee Fine Lines.

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Show Up!

The Suicide Machines

with Lost City Angels, Bullets to Broadway, and Travisty and the Screwups

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Suicide Machines guitarist Dan Lukacinsky puts it right out there: "Punk isn't dangerous anymore, and it should always be dangerous to the government, to the establishment and to the powers that be."

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Spotlight

Romeo Goes To Hell: It's a Blast!

People, Rachel plays the damn guitar—not the bass

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Oh, hell yeah, Romeo Goes to Hell is releasing their first album entitled Two Car Garage Rock. The Albuquerqueans who label (or are forced by people like me to label) their music as two-car garage rock, or punk by default, came into existence in late 2002 and contain a year-old line-up comprised of Levi Eleven on bass, Noelan Ramirez on drums, Josh King on keyboards, Rachel Luhan on guitar and world-class ladies man Rexx Ruthless (swoon) on guitar as well. Everyone sings.

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Sonic Reducer

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Ya Ya Boom Project Pink Insides (Punkin Head Records)

Consider putting on Ya Ya Boom Project's Pink Insides before beginning any number of grueling tasks. Whether it's competing in a triathlon or pulling mysterious chunks of hair from your shower drain, Pink Insides will give you the burst of energy you need to complete your endeavor in no time. The record gets most of its mileage from Marisa Demarco's vibrato-heavy vocals that are two parts Gwen Stefani and one part Agent M from Tsunami Bomb. At its core, Pink Insides is a clunker-free album of immediately gratifying and resourceful pop music.

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EVENT HORIZON ()

Why Not?

Why? • indie rock, alt.hip-hop, alt.rock, pop, folk • Go Dark • experimental

By August March
If you want a reminder—and not from Radiohead—that hip-hop is everywhere, even in the indie rock that millennials are sorta into (but only after they listen to every goddamn thing they can find by Kendrick Lamar) then trip, trip, trip on down to Sister on Monday, Feb. 19 at 8pm for a recital of sorts by Cincinnati alt-rappers cum indie rock stars, WHY? Founded by a dude named Yoni in the distant and unremembered aughts, WHY? has gained traction among rockish young audiences with their pop-nuanced mash-up of rocanrol and hip-hop. They got all kinda crazy rhythms, jams and flows going on betwixt rock references and may do some drugs; their latest effort is called Moh Lhean, after all. Additionally, the critics at Allmusic have judged their music as “quirky” which oughta count for something, amirite? They do have some pretty righteous tuneage, including works like “George Washington,” “White English” and “Into the Shadows of My Embrace.” Seriously, this one's worth the price of admission and if you're into skinny jeans and man buns, then damn, get out there, girl! The cover is $15 to $18, 21+.
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EVENT HORIZON ()

Get Your Vamp On

Love Bites • Vampire Ball • goth, electro, industrial, '80s

By The Intern
       If putting on something dressy and all black is your forte, boy do we have an event for you. Effex Night Club's Alchemy Presents: Love Bites, A Vampire Ball is happening on Thursday, Feb. 22 at 9pm. Prepare for a gory good time for just $2! Enter the raffle for $1 to sink your claws into a set of Kustom Fitted Fangs, Vampyre Tea Company's organic tea and more. Accompany your fellow vampires and goths for a night of '80s electro and EDM music. Show off your best goth looks in the costume contest to win sickening prizes, attract eager victims and dance the night away. 21+  
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EVENT HORIZON ()

Great EXXXpectations

The Open Bra • Mayo Lua de Frenchie • Miss Behavin • Burlesque improv competition • DJ CS Rucker • dance, house

By Maggie Grimason
            Work up your courage or down a few beers this Saturday, Feb. 24 at Duel Brewing and take the stage for the The Open Bra, a bi-monthly burlesque improv competition. Performers are assigned a song at the beginning of the evening, and then hit the stage to enchant the audience and judges Miss Behavin, Mayo Lua de Frenchie and Annie O'Roar. And hey, if you're too nervous to take a turn dancing, you still get to weigh in on runner-up and winner slots as a member of the kowtowing crowd. This free, 21+ doors at 8pm and the event begins at 9pm. Plan on staying late for a dance party afterwards.
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