Music from the Windchime—Downtown's Windchime Champagne Gallery (518 Central SW) has hosted several nights of music since they opened in March of this year, but this Friday, Nov. 11, will mark a first-time collaboration between the gallery and Neal Copperman's innovative AMP concert series. The AMP Listening Room will feature national bluegrass/Americana group The Greencards, whose recent work includes the new Dualtone release Weather and Water and an opening slot on last summer's Bob Dylan/Willie Nelson tour, will be the first national act to play the Windchime. The show starts at 7:30 p.m. Get your $12 advance tickets from firstname.lastname@example.org, or at the door for $15.
It seems like ages ago when Giant Steps was playing all-ages shows at Spotlights next to the Highland Theatre and even longer still since the Mighty Mighty Bosstones' "The Impression That I Get" was receiving nearly nonstop radio play. But those who long for the good old days of ska supremacy (or at least mainstream success) should take a listen to Danny Winn and the Earthlings' And the Mission Begins for a peppy reminder of why they should wear their checkered hats with pride.
Friday, Nov. 11, 6 p.m.; Launchpad (all-ages): One For Hope releases a new CD today. With a little help from the Alibi, they're here to tell you all about it.
Several bands. Two venues. One man to split between them all. Come Downtown and celebrate all that is Noelan on Friday, Nov. 11, at Burt's Tiki Lounge (with Romeo Goes To Hell, The Roustabouts, Summerbirds In The Cellar and The Bellmont) and Atomic Cantina (with Oktober People, The Rip Torn and Cub of Heroic Bear). 10 p.m. 21-and-over. (LM)
Beginning this Thursday, the Guild Cinema will continue its popular Music on the Big Screen series with two weeks of music-related films. The program will showcase five documentaries that have never before been screened in Albuquerque. Here's the run-down.
Friday, Nov. 12, 9:30 p.m.; Puccini's Golden West Saloon (21-and-over): I imagine that if The Samples had been around in the '60s, they'd either have made it big or just gotten lost in the love. Not that they really fit into that category, or any real category, for that matter. They've described themselves as "world-beat pop rock." I think they're more happy, trans-reality, melodic soft rock (and would go great with a light, fruity drink).
Rock epic. There is no other phrase that can describe what Coheed and Cambria has accomplished in every album they've released. Good Apollo listens like a classic novel reads. It introduces you into Coheed's world and keeps you there. Intrigued, captivated, blown away by the arena-rock riffs. Yes, arena rock. Coheed and Cambria leaves nothing behind, and with a title like Good Apollo ... how could they? This album is big, it's loud and it's far from simple. It's even got cheerleaders for crying out loud! Oh, and Claudio Sanchez has the voice of a rock god.