Alibi V.15 No.6 • Feb 9-15, 2006 

Music to Your Ears

The Jenny Gamble & Friends Acoustic Showcase—Who is Jenny Gamble, and why is she so freaking excited about local music? You've heard of her before. As a singer-songwriter, promoter and unflappable foot soldier for the New Mexico State Music Commission, Jenny's name gets around in the New Mexico music community. In fact, I can sum up some of the best advice I can give to burgeoning musicians in three words: "Talk to Jenny." And bring a demo. She'll guide you in the right direction.

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Wes Naman

Show Up!

The Isness

Rap-rock minus that nasty Limp Bizkit aftertaste

"I'd rather be an angsty teenager than a depressed old guy sitting at the bar," muses Brandon Atencio, one of the two lead singers of Albuquerque rap-rock five-piece The Isness. Atencio's self-reflection goes a long way in describing what his band is all about.

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Music Magnified

No Use for a Name

with Fenix TX, Versus the World and Fair Shot

Tuesday, Feb. 14, Launchpad (all-ages welcome); $15: "It's No Use for a Fuckin' Name!" And with that fateful introduction given by a drunken stagehand, No Use for a Name launched into what would become, arguably, their best album ever created over their decade-and-a-half career as staples of the punk rock scene. No Use's Live in a Dive (released on Fat Wreck Chords) is one of the best live albums any punk band has assembled; not only for the musical proficiency it showcased, but for the growth it showed from the band's first Fat Wreck release, Leche Con Carne. No longer relying on catchy but overly simplified riffs, the band created a concrete wall of distortion with drum fills forceful enough to shatter pelvises and vocals that wrenched at the heartstrings.

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Music Magnified

Snow

with The Wailers and Sub Agencia (Moonlight Lounge)

Wednesday, Feb. 15, Sunshine Theater (smoking and alcohol service in segregated areas only); $20: Remember Snow? If you've heard of the ragga artist at all, it's only thanks to his unintelligible 1993 one-hit wonder, "Informer." (You know, "In-for-mer! You know ... de-blooby-da-boo-be-I-go-bam ... A nicky boom boom, yeah!") Love it or loathe it, the song is difficult to ignore. Something about a wimpy blonde dude with a Jamaican accent will do that.

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Flyer on the Wall

Killah Beez

What's that buzz? It's the Beat Hive featuring Zach Freeman and Sina Soul. Hip-hop, poetry, beat-boxing, jazz, improv and live jams, with special guests Danny Solis and DJ Mateo. Friday, Feb. 10, at 8 p.m. Blow that roof off the Shadow Lounge at Out Ch' Yonda (929 Fourth Street SW, in Barelas). (LM)

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Spotlight

The Empty Orchestra

Seven Days of Karaoke

What started in Japan in the '80s has, over the years, come to practically infest our fair city with poor renditions of yesterday's hits. And why not? Everyone loves to watch other people make fools of themselves. See, I've found that for maximum entertainment, the trick with karaoke is not to sing as well as you possibly can, but with as much tuneless and tone-deaf harmony as you can muster, being sure to botch the lyrics with swear words and humorous twists. Of course, there are those who take it seriously, but that's probably not you.

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Sonic Reducer

Low Skies All the Love I Could Find · Eef Barzelay Bitter Honey · Mudhoney Under A Billion Suns

On the new album from the atmospheric, brooding and down-tempo Low Skies, the band has replaced massive crescendos and guttural wails with gentler song structures and soft vocal harmonies. It's less risky, but more listenable while keeping with their amazing ability to create a setting, plant a mood and turn you loose with only distance and detached reverie to hold you.

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Courtesy of Reighnbeau

EVENT HORIZON (Thursday, Jun 29)

You don't need rain to see this rainbow

Reighnbeau • indietronica • Sazoram • electronic • Austin Morrell • rock

I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness that magic. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the cosmic stage will be set at 9pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.
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