Music to Your Ears
Thursday is Overrun with All-Ages Shows—Get out of the house, already! There's a full night of under-21 music starting at Sol Arts (712 Central SE, 244-0049) where We Were Born as Ghosts will release their brand-spankin'-new EP, titled Winter. The Overnight and Southpaw round out a progressive indie rock-type lineup. Cover is $5 and doors open at 7 p.m. Next up, five-piece rez rockers Pueblo Revolt are playing the Blue Dragon between 8 and 10 p.m. Admission is ... free? I don't know, don't quote me on that. Then there's the My Bloody Valentine Party at Pulse at 9 p.m., where gothic/industrial kids of at least 18 years can explode into a giggling matrix of post-Valentine's dance fever. Renowned musician, animator, writer and toy designer Voltaire will headline, with local two-man electric riot Vertigo Venus opening. Tickets are $10 at the door, which also qualifies you for a ton of Voltaire goodies valued at over $100.
Flyer on the Wall
“An insect who dreamt he was a man, and loved it.”
“But, now the dream is over, and the insect is awake.” Featuring the magnificent two-man Swearing at Motorists (who released their latest album, Last Night Becomes This Morning, just last week), plus The Oktober People, Lousy Robot and Chris McFarland. Friday, Feb. 17, at Atomic Cantina (21-and-over). Free! (LM)
Music on the Big Screen series, February and March 2006 at the Guild Cinema
Cowboys, Indians and dolls with soul
By Captain America
Carrying the ethics of punk rock to the movies, Guild Cinema owners Keif Henley and Peter Conheim screen films they believe must be seen, knowing an audience will find them.
Thee Fine Lines
with The Cherry Tempo and Shapes and Sizes
By Simon McCormack
Monday, Feb. 20, Burt's Tiki Lounge (21-and-over); free: Attention all Modsters and air-guitar-enthusiasts: Your rock 'n' roll fantasy has arrived. Springfield, Mo.'s Thee Fine Lines might look a bit bookish, but rest assured, they'll have you spilling your beer in awe as they drag you into a dirt- and piss-filled gutter of three-chord, louder-than-hell rock 'n' roll. Take "Louie Louie" and the Go-Go's "We Got the Beat," add distorted vocals and a healthy dose of youthful anger and you've got all the ammunition you need to wake up with six stitches above your right eye.
Dreeg CD Release Party
with Kev Lee and special guests David Wade, Pipes, Physics, Vengence and MZ Burd
By Simon McCormack
Friday, Feb. 17, Raw/Sauce (21-and-over): Dreeg, a.k.a. Steven Rodrigue, is eyeing musical stardom. Halfway through recording his first solo effort, Six Months of Solitude, the Dirt Headz standout quit his job so he could concentrate all of his energies on making it in the music biz. Six Months combines the catchy, female-sung hooks and synthetic drum beats commonly associated with mainstream rap and adds down-to-earth emo-rap lyrics similar to those of Atmosphere's Slug.
When I Say Wonder, You Say Bunzz! Wonder! Bunzz!
An interview with local celebrity Caleb Crump
By Jessica Cassyle Carr
Caleb and I are standing outside of the office on Central posing for a photo after our interview, both giving the thumbs up, when a passing motorist shouts from his truck, "Caleb!" As one of our most recognizable local personalities, right up there with men like Ron Bell, Don Schrader, Steve Stucker and the mayor, the warm, polite and approachable self-promoting partyer from Baltimore says he gets this all the time.
Test Icicles For Screening Purposes Only · Film School Film School · Delta 5 Singles and Sessions 1979-81
By Jessica Cassyle Carr
Imagine yourself at a thrash metal show attended only by eurotrash, or a rave thrown by heshers—you'd get this band, which is a discombobulating marriage of noise rock, metal and dance punk. Harnessing the power of the Neanderthal, these Londoners have concocted an oddly attractive aural potion that, without a doubt, kills brain cells and will deeply offend Bernie and Madge up in the Heights.
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
Aer • rap, rock • Cody Simpson • Chef'Special at Sunshine Theater
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