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 Jul 6 - 12, 2006 
Jason Daniello

Music to Your Ears

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Gone Phishin'--Need a miracle? This Monday (July 10), the Starport Theater at Cottonwood Mall will screen Phish: Live In Brooklyn. The film consists of concert footage shot just in front of 16,000 Phish fans at Keyspan Park baseball field, Coney Island. The beauty part is the film hasn't been seen anywhere since the night of the show, more than two years ago. If you weren't there, you might just feel like it now. And if you were there, whoa! Acid flashback! Show starts at 7 p.m. Advance tickets are already available online at www.fandango.com, or call the theater at 897-6858.

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Jason Daniello
Wes Naman

Music Magnified

The Jason and the Argonauts farewell show

with SuperGiant, Lousy Robot, Fast Heart Mart and The Trampolines (from Denver)

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Friday, July 7, Launchpad (21-and-over); $5: You win some, you lose some, Albuquerque. One of our best and brightest is on his way back East. Jason Daniello will soon be moving to Asheville, N.C., but not before he and some good friends put on one more monster musical event this Friday at the Launchpad.

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Flyer on the Wall

Eggheads

(Psst! Hey, Albuquerque ... Santa Fe is kicking your ass on the poster art lately.) The Cherry Tempo, Shinobu, A Moment’s Loss and Keyboard. Monday, July 10, at Warehouse 21. $5. www.warehouse21.org. (LM)

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Moreland, Arbuckle & Floyd

Music Magnified

Moreland, Arbuckle & Floyd

with I is for Ida, Primates and Lagoon

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Friday, July 7, Atomic Cantina (21-and-over); Free: As Terry Zwigoff’s film Ghost World aptly demonstrates, there are plenty of faux blues bands out there--bands that claim to play “Delta Blues” or “Mississippi Roots Blues”--that are just plain awful. They may appeal to audiences of the suburban persuasion nationwide, but they’re hardly authentic in any real sense of the word.

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Built to Spill

Spotlight

Built to Spill

Eat it, Bono

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Built to Spill is one of the few major-label bands that still sounds as pure as the day they were formed in 1992. Through it all, frontman and founder Doug Martsch has held on to his humility, maintaining that “all we’ve ever wanted to do was make music that sounds all right.” Martsch talked with the Alibi about his band’s success, touring and lack of bravado.

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Show Up!

Nels

Who says girls can’t rock?

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When she arrived in Albuquerque during one of last week's crazy thunder and lightning shows, Nels and her bandmates had no idea what they were getting into. "This bus has big windows, so I just sat and watched. I filmed the whole thing. It was really kind of crazy." Then it just started pouring.

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Sonic Reducer

The Coma Recovery Drown That Holy End In Wine · CSS Cansei De Ser Sexy · Human Television Look At Who You're Talking To

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Albuquerque all-stars The Coma Recovery have our hometown hardcore market cornered. Unflinching adulation by their primarily teenage fan base and adequately warm national reviews have helped secure their place as the next, next big thing to come out of Albuquerque. The Coma Recovery’s first full-length album, Drown That Holy End In Wine, produced by Chris Common of These Arms Are Snakes, is an unflinching, cohesive and surprisingly unpretentious progressive/experimental post-hardcore debut, taking influence from Burque old-schoolers Last Day Parade and even tipping their mesh trucker hats to fretboard musclemen Randy Rhodes and Tony Iommi. Cheer up, emo kid. Your scene just got a lot less lame.

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EVENT HORIZON ()

Why Not?

Why? • indie rock, alt.hip-hop, alt.rock, pop, folk • Go Dark • experimental

By August March
If you want a reminder—and not from Radiohead—that hip-hop is everywhere, even in the indie rock that millennials are sorta into (but only after they listen to every goddamn thing they can find by Kendrick Lamar) then trip, trip, trip on down to Sister on Monday, Feb. 19 at 8pm for a recital of sorts by Cincinnati alt-rappers cum indie rock stars, WHY? Founded by a dude named Yoni in the distant and unremembered aughts, WHY? has gained traction among rockish young audiences with their pop-nuanced mash-up of rocanrol and hip-hop. They got all kinda crazy rhythms, jams and flows going on betwixt rock references and may do some drugs; their latest effort is called Moh Lhean, after all. Additionally, the critics at Allmusic have judged their music as “quirky” which oughta count for something, amirite? They do have some pretty righteous tuneage, including works like “George Washington,” “White English” and “Into the Shadows of My Embrace.” Seriously, this one's worth the price of admission and if you're into skinny jeans and man buns, then damn, get out there, girl! The cover is $15 to $18, 21+.
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