Music to Your Ears
By Laura Marrich
Gone Phishin'--Need a miracle? This Monday (July 10), the Starport Theater at Cottonwood Mall will screen Phish: Live In Brooklyn. The film consists of concert footage shot just in front of 16,000 Phish fans at Keyspan Park baseball field, Coney Island. The beauty part is the film hasn't been seen anywhere since the night of the show, more than two years ago. If you weren't there, you might just feel like it now. And if you were there, whoa! Acid flashback! Show starts at 7 p.m. Advance tickets are already available online at www.fandango.com, or call the theater at 897-6858.
The Jason and the Argonauts farewell show
with SuperGiant, Lousy Robot, Fast Heart Mart and The Trampolines (from Denver)
By Jim Phillips
Friday, July 7, Launchpad (21-and-over); $5: You win some, you lose some, Albuquerque. One of our best and brightest is on his way back East. Jason Daniello will soon be moving to Asheville, N.C., but not before he and some good friends put on one more monster musical event this Friday at the Launchpad.
Flyer on the Wall
(Psst! Hey, Albuquerque ... Santa Fe is kicking your ass on the poster art lately.) The Cherry Tempo, Shinobu, A Moment’s Loss and Keyboard. Monday, July 10, at Warehouse 21. $5. www.warehouse21.org. (LM)
Moreland, Arbuckle & Floyd
with I is for Ida, Primates and Lagoon
By Simon McCormack
Friday, July 7, Atomic Cantina (21-and-over); Free: As Terry Zwigoff’s film Ghost World aptly demonstrates, there are plenty of faux blues bands out there--bands that claim to play “Delta Blues” or “Mississippi Roots Blues”--that are just plain awful. They may appeal to audiences of the suburban persuasion nationwide, but they’re hardly authentic in any real sense of the word.
Built to Spill
Eat it, Bono
By Simon McCormack
Built to Spill is one of the few major-label bands that still sounds as pure as the day they were formed in 1992. Through it all, frontman and founder Doug Martsch has held on to his humility, maintaining that “all we’ve ever wanted to do was make music that sounds all right.” Martsch talked with the Alibi about his band’s success, touring and lack of bravado.
Who says girls can’t rock?
By Marisa Demarco
When she arrived in Albuquerque during one of last week's crazy thunder and lightning shows, Nels and her bandmates had no idea what they were getting into. "This bus has big windows, so I just sat and watched. I filmed the whole thing. It was really kind of crazy." Then it just started pouring.
The Coma Recovery Drown That Holy End In Wine · CSS Cansei De Ser Sexy · Human Television Look At Who You're Talking To
By Lash Bower
Albuquerque all-stars The Coma Recovery have our hometown hardcore market cornered. Unflinching adulation by their primarily teenage fan base and adequately warm national reviews have helped secure their place as the next, next big thing to come out of Albuquerque. The Coma Recovery’s first full-length album, Drown That Holy End In Wine, produced by Chris Common of These Arms Are Snakes, is an unflinching, cohesive and surprisingly unpretentious progressive/experimental post-hardcore debut, taking influence from Burque old-schoolers Last Day Parade and even tipping their mesh trucker hats to fretboard musclemen Randy Rhodes and Tony Iommi. Cheer up, emo kid. Your scene just got a lot less lame.
courtesy of the band
Russian Girlfriends • rock, punk • Leeches of Lore • stoner rock, psychedelic • Hanta • stoner rock • The Talking Hours
By August March
Russian Girlfriends, a popular local pop-punk outfit that lovingly and somewhat esoterically takes their musical cues from progenitors of the genre like Descendents and Hüsker Dü—while adding the desert nuance and mystery of New Mexico to their quite awesome sound—are preparing to tour the Southern lands as a precursor to their new mission to conquer the US…
Boyz II Men • R&B
By August March
On Sunday, Feb.14, the Legends Theater at Route 66 Casino presents a concert by romantic balladeers and masters of a capella ruminations on love and life Boyz II Men. An R&B group (now a trio, formerly and originally a quartet) with an affinity for soulful musical wanderings through the heart of human affection, Boyz II Men first made the scene in the 1990s with radio-friendly hits like “End of the Road,” “I’ll Make Love to You” and “One Sweet Day,” an epic tune to forever love they recorded with super-chanteuse Mariah Carey. In the years since they rose to the top of the pops, one member, Michael McCary departed the ensemble, leaving an essential trio comprised of tenors Shawn Stockman and Wanya Morris as well as baritone Nathan Morris. Together, these three still bring the flavor of love to life as they tour around a gratefully enchanted planet of men and women. Tickets for this all-ages performance range in price from $35-70 while romance fills the air beginning at 8pm.
Laurie Lewis & Tom Rozum • folk, bluegrass • Mollie O’Brien • Rich Moore at Historic Old San Ysidro Church
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