Alibi V.15 No.27 • July 6-12, 2006 
Jason Daniello

Music to Your Ears

Gone Phishin'--Need a miracle? This Monday (July 10), the Starport Theater at Cottonwood Mall will screen Phish: Live In Brooklyn. The film consists of concert footage shot just in front of 16,000 Phish fans at Keyspan Park baseball field, Coney Island. The beauty part is the film hasn't been seen anywhere since the night of the show, more than two years ago. If you weren't there, you might just feel like it now. And if you were there, whoa! Acid flashback! Show starts at 7 p.m. Advance tickets are already available online at www.fandango.com, or call the theater at 897-6858.

[ more >> ] [ permalink ]

Jason Daniello
Wes Naman

Music Magnified

The Jason and the Argonauts farewell show

with SuperGiant, Lousy Robot, Fast Heart Mart and The Trampolines (from Denver)

Friday, July 7, Launchpad (21-and-over); $5: You win some, you lose some, Albuquerque. One of our best and brightest is on his way back East. Jason Daniello will soon be moving to Asheville, N.C., but not before he and some good friends put on one more monster musical event this Friday at the Launchpad.

[ more >> ] [ permalink ]

Flyer on the Wall

Eggheads

(Psst! Hey, Albuquerque ... Santa Fe is kicking your ass on the poster art lately.) The Cherry Tempo, Shinobu, A Moment’s Loss and Keyboard. Monday, July 10, at Warehouse 21. $5. www.warehouse21.org. (LM)

[ more >> ] [ permalink ]

Moreland, Arbuckle & Floyd

Music Magnified

Moreland, Arbuckle & Floyd

with I is for Ida, Primates and Lagoon

Friday, July 7, Atomic Cantina (21-and-over); Free: As Terry Zwigoff’s film Ghost World aptly demonstrates, there are plenty of faux blues bands out there--bands that claim to play “Delta Blues” or “Mississippi Roots Blues”--that are just plain awful. They may appeal to audiences of the suburban persuasion nationwide, but they’re hardly authentic in any real sense of the word.

[ more >> ] [ permalink ]

Built to Spill

Spotlight

Built to Spill

Eat it, Bono

Built to Spill is one of the few major-label bands that still sounds as pure as the day they were formed in 1992. Through it all, frontman and founder Doug Martsch has held on to his humility, maintaining that “all we’ve ever wanted to do was make music that sounds all right.” Martsch talked with the Alibi about his band’s success, touring and lack of bravado.

[ more >> ] [ permalink ]

Show Up!

Nels

Who says girls can’t rock?

When she arrived in Albuquerque during one of last week's crazy thunder and lightning shows, Nels and her bandmates had no idea what they were getting into. "This bus has big windows, so I just sat and watched. I filmed the whole thing. It was really kind of crazy." Then it just started pouring.

[ more >> ] [ permalink ]

Sonic Reducer

The Coma Recovery Drown That Holy End In Wine · CSS Cansei De Ser Sexy · Human Television Look At Who You're Talking To

Albuquerque all-stars The Coma Recovery have our hometown hardcore market cornered. Unflinching adulation by their primarily teenage fan base and adequately warm national reviews have helped secure their place as the next, next big thing to come out of Albuquerque. The Coma Recovery’s first full-length album, Drown That Holy End In Wine, produced by Chris Common of These Arms Are Snakes, is an unflinching, cohesive and surprisingly unpretentious progressive/experimental post-hardcore debut, taking influence from Burque old-schoolers Last Day Parade and even tipping their mesh trucker hats to fretboard musclemen Randy Rhodes and Tony Iommi. Cheer up, emo kid. Your scene just got a lot less lame.

[ more >> ] [ permalink ]

Courtesy of the Artist

EVENT HORIZON ()

Their Kindness is Charade

Crystal Castles • electropunk, synth pop, witch house

Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
calendar
Courtesy of the Artist

EVENT HORIZON ()

Special Beat Service

The English Beat • ska

Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later”, the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here the the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.
calendar