Alibi V.15 No.28 • July 13-19, 2006 
Lorraine Hunt Lieberson

Music to Your Ears

America's Next Danny Elfman—Cheryl Hooks (I'm sure you already know it, but she's a local music activist and co-host of KUNM's “Ear to the Ground”) is on the lookout for original music to score this year's Duke City Shootout digital film submissions. Not only that, this summer's Shootout will be a first-time collaboration with internationally renowned digital film competition, the 48 Hour Film Project. That means a lot of potential exposure. What are you waiting for? Send Cheryl an MP3 for consideration at abqmusicassociation@yahoo.com. The Shootout takes place July 21-29 in downtown Albuquerque. For more information on the competition, log onto

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Lorraine Hunt Lieberson

Spotlight

In Memory of Lorraine Hunt Lieberson

Renowned opera singer and Santa Fe resident dies at age 52

We have lost a great, great artist. Mezzo-soprano Lorraine Hunt Lieberson, 52, who had previously triumphed over breast cancer, died at her home in Santa Fe on July 3. Her New York Times obituary did not specify the cause of death, sparking speculation that Hunt Lieberson’s was due to a recurrence of the disease.

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Ghost Writer: Spooky!

Music Magnified

Ghost Writer

with The Rod Shot Band and Bloodshot Bill

Monday, July 17, Burt’s Tiki Lounge (21-and-over); Free: Ghost Writer (aka Steve Schecter) began playing as a one-man-band in 2002 after endless lineup changes to his former band, The Standards, became an intolerable inevitability. Judging from his angry, loathsome tracks that draw equally from folk and punk influences, Schecter seems like the type of person who doesn’t put up with too much inconvenience in his musical career.

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Buzzcocks

Show Up!

Buzzcocks

“Ever Fallen In Love With Someone You Shouldn't've?”

I stumbled across my first Buzzcocks album when I was 17 and discovered a band causing an enormous shift in the way that music was being dealt to the public. It is fairly well understood that Buzzcocks were a huge part of the trend of self-releasing material without the help of a major label. And even though my first Buzzcocks recording was an IRS release, I cannot help but remember the new set of eyes it gave me for looking at the music industry as a whole. That album was Parts 1, 2, 3, and I still get a wicked pleasure every time it hits my turntable.

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Son de Cali

Music Magnified

Son de Cali y Su Orquestra

with a bonus mojito recipe

Friday, July 14, 8 p.m., National Hispanic Cultural Center (all-ages); $25-$35: Hailing from Cali, Columbia, a town so infatuated with Afro-Caribbean sounds that it is known as “Capital de la Salsa,” Son de Cali are standouts among grupos picantes on the salsa scene. After 15 years as singers for the world-famous Grupo Niche, Javier Vazques and Willie Garcia struck out on their own, backed by an orquesta comprised of top Columbian musicians; percussionists Douglas Guevarra, Jorge Orta, Alvaro Burbano and Reynerlo Escobar, and trumpeters José Aguirre and Olwaldo Salazar, to name a few.

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Flyer on the Wall

Assume the Position

Berlin-based experimental sound man Jeff Gburek joins freaky local electricians Terrorstate, Alchemical Burn and Sidanik for an all-ages noisefeast at the Harwood Art Center (1114 Seventh Street NW, north entrance). The show starts at 7 p.m. and costs $5. (LM)

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Sonic Reducer

Keane Under the Iron Sea · Silversun Pickups Carnavas · MSTRKRFT The Looks

In the same vein as Coldplay but dropping the sweet from the bittersweet formula, England’s own Keane concoct melancholic and mesmerizing tunes that have a lyrical bite as vicious as the band’s melodies are elegant. The candidness of the band’s identity is in no small part due to Tom Chaplin’s intentionally imperfect vocals that flair out of control just when their melodic potential peaks. As with many bands that rely on a consistent atmosphere on their records, Keane’s tracks do start to blend together at times but, overall, their brand of piano pop is as good as any I’ve heard.

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Courtesy of the Artist

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Their Kindness is Charade

Crystal Castles • electropunk, synth pop, witch house

Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
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Courtesy of the Artist

EVENT HORIZON ()

Special Beat Service

The English Beat • ska

Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.
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