Alibi V.15 No.30 • July 27-Aug 2, 2006 

Music to Your Ears

MTV, Get Off the Air!--Despite the Dead Kennedys shouting for them to go away for the last 21 years, as of Aug. 1, MTV will have been on the air for 25 years. So, in the spirit of the unsatiated desire of the Dead Kennedys, I’m compelled to start off by blurting out the clichéd affirmation that “MTV sucks.” Just go to mtv.com right now and see for yourself. It’s basically corporate radio in television form with an added bonus of obsessive celebrity worship. The station rarely plays music, but simultaneously has incredible influence on the music industry. But most of us know this already.

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Lousy Robot, good music
Kate Mackley

Spotlight

Lousy Robot CD Release Party

There’s a method to their madness

Crouching deep inside Jim Phillips' cerebrum is a kid with his hands between knees. Let's call him Ned. Ned is busy counting the number of syllables you've just said to Jim. Now he's making a rule about it. It's called “The Disguise of Changing Scenery,” or something equally splendiferous and literary. Now he's humming the idea back to Jim in musical Morse code, which is being broadcast onto the back of Jim's skull like a home movie. The colors bleed onto everything. And now Ned's resetting the whole thing back to zero, like winding a clock.

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Dirty on Purpose

Music Magnified

Dirty on Purpose

with The Build

Wednesday, Aug. 2, Launchpad (21-and-over): Straddling the line between an indie band with screwed-up time signatures and long periods of straight instrumentation and a rock band with a Yo-La-Tengo-without-the-bite style of play, Brooklynites Dirty on Purpose are poised at the verge of quasi-stardom and indie acclaim.

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Hecho n’ K-za
Wes Naman

Music Magnified

Hecho n’ K-za

Saturday, July 29, Puccini's Golden West Saloon (21-and-over); $5: They would go out on the weekends to bars like Tumbleweed, Fantasia or Bandito Hideout restraurant. Spanish rock lived in those joints--on the radio, but never live.

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The Prids
Kristin Neuschwander

Show Up!

The Prids

with The Foxx and Unit 7 Drain

Without fail, the Prids grab you and shake you up from note one, whether live or on a recording, such as their latest, … Until the World is Beautiful on Five03 Records.

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Sonic Reducer

The Bitter Sermon Spreadin' the Good Word · Will Holshouser Trio Singing to a Bee · Dave Douglas Meaning and Mystery

When singer Bernadette Seacrest split and left her band, the Yes Men, high and dry, these talented groove merchants (Michael Grimes, bass and vocals; Jason Aspleset, drums; Aaron Cummings, sax) hardly missed a beat, reconfiguring with John Cousins (piano) and putting out a jazzy new CD (10 originals, one cover). The solid grooves that Grimes (who’s grown as a singer) and Aspleset lay down keep things smoldering, but the group catches fire only intermittently (e.g., “Shine”). They seem caught in an identity crisis, veering back and forth between cocktail jazz and gritty soul. Once they find their center, watch out.

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Flyer on the Wall

Louder Than Bombs

Drown out the impending global war--and the stately, blathering shitheads who’ve brought us to the brink of it--this Saturday, July 29, at Burt’s Tiki Lounge! The Prids (see “Show Up!”), The Foxx and Unit 7 Drain are along for the handbasket ride. (LM)

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Image courtesy of Epitaph Records

EVENT HORIZON ()

The Descent of Punk: This Age or That

Descendents • Radkey • Hagfish • punk

Now, on the other hand—and as opposed to your parent's music which you claim to have no knowledge of whatsoever—you probably have heard of the Descendents. The quartet from the beautiful yet threatening beach is ripping it up at Sunshine Theater on Friday, Nov. 16 at 8pm. The band claims rights to a lineage of punk rock from the OC and surrounding area that pretty much branched off from hardcore units in the early '90s to produce a more pop-flavored, personally emotional form of the genre. Their brand of music heavily influenced monstrosities like Jimmy Eat World and Blink-182 as well as perhaps birthing the ultimate in abysmal entities, a thing we'll call emo for the sake of convenience. But before they did profound damage to millions of Californios and as-of-then unborn potential rockers, they did produce some pretty epic songs. Besides that, their front man, Milo Auckerman and his compadres, Bill Stevenson, Karl Alvarez and Stephen Egerton are probably responsible for thousands of totally sick skateboarding injuries over the years due to turned out tuneage like “Myage,” “I'm Not a Loser,” “Cameage,” “Uranus” and my all time favorite, “Clean Sheets.” Just 27 bones gets you in to this 13+ gig. Fuck it dude, life's a risk. 
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