Alibi V.15 No.30 • July 27-Aug 2, 2006 

Music to Your Ears

MTV, Get Off the Air!--Despite the Dead Kennedys shouting for them to go away for the last 21 years, as of Aug. 1, MTV will have been on the air for 25 years. So, in the spirit of the unsatiated desire of the Dead Kennedys, I’m compelled to start off by blurting out the clichéd affirmation that “MTV sucks.” Just go to mtv.com right now and see for yourself. It’s basically corporate radio in television form with an added bonus of obsessive celebrity worship. The station rarely plays music, but simultaneously has incredible influence on the music industry. But most of us know this already.

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Lousy Robot, good music
Kate Mackley

Spotlight

Lousy Robot CD Release Party

There’s a method to their madness

Crouching deep inside Jim Phillips' cerebrum is a kid with his hands between knees. Let's call him Ned. Ned is busy counting the number of syllables you've just said to Jim. Now he's making a rule about it. It's called “The Disguise of Changing Scenery,” or something equally splendiferous and literary. Now he's humming the idea back to Jim in musical Morse code, which is being broadcast onto the back of Jim's skull like a home movie. The colors bleed onto everything. And now Ned's resetting the whole thing back to zero, like winding a clock.

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Dirty on Purpose

Music Magnified

Dirty on Purpose

with The Build

Wednesday, Aug. 2, Launchpad (21-and-over): Straddling the line between an indie band with screwed-up time signatures and long periods of straight instrumentation and a rock band with a Yo-La-Tengo-without-the-bite style of play, Brooklynites Dirty on Purpose are poised at the verge of quasi-stardom and indie acclaim.

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Hecho n’ K-za
Wes Naman

Music Magnified

Hecho n’ K-za

Saturday, July 29, Puccini's Golden West Saloon (21-and-over); $5: They would go out on the weekends to bars like Tumbleweed, Fantasia or Bandito Hideout restraurant. Spanish rock lived in those joints--on the radio, but never live.

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The Prids
Kristin Neuschwander

Show Up!

The Prids

with The Foxx and Unit 7 Drain

Without fail, the Prids grab you and shake you up from note one, whether live or on a recording, such as their latest, … Until the World is Beautiful on Five03 Records.

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Sonic Reducer

The Bitter Sermon Spreadin' the Good Word · Will Holshouser Trio Singing to a Bee · Dave Douglas Meaning and Mystery

When singer Bernadette Seacrest split and left her band, the Yes Men, high and dry, these talented groove merchants (Michael Grimes, bass and vocals; Jason Aspleset, drums; Aaron Cummings, sax) hardly missed a beat, reconfiguring with John Cousins (piano) and putting out a jazzy new CD (10 originals, one cover). The solid grooves that Grimes (who’s grown as a singer) and Aspleset lay down keep things smoldering, but the group catches fire only intermittently (e.g., “Shine”). They seem caught in an identity crisis, veering back and forth between cocktail jazz and gritty soul. Once they find their center, watch out.

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Flyer on the Wall

Louder Than Bombs

Drown out the impending global war--and the stately, blathering shitheads who’ve brought us to the brink of it--this Saturday, July 29, at Burt’s Tiki Lounge! The Prids (see “Show Up!”), The Foxx and Unit 7 Drain are along for the handbasket ride. (LM)

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Courtesy of the Artist

EVENT HORIZON ()

Their Kindness is Charade

Crystal Castles • electropunk, synth pop, witch house

Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
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Courtesy of the Artist

EVENT HORIZON ()

Special Beat Service

The English Beat • ska

Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.
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