Music to Your Ears
By Jessica Cassyle Carr
MTV, Get Off the Air!--Despite the Dead Kennedys shouting for them to go away for the last 21 years, as of Aug. 1, MTV will have been on the air for 25 years. So, in the spirit of the unsatiated desire of the Dead Kennedys, I’m compelled to start off by blurting out the clichéd affirmation that “MTV sucks.” Just go to mtv.com right now and see for yourself. It’s basically corporate radio in television form with an added bonus of obsessive celebrity worship. The station rarely plays music, but simultaneously has incredible influence on the music industry. But most of us know this already.
Lousy Robot CD Release Party
There’s a method to their madness
By Laura Marrich
Crouching deep inside Jim Phillips' cerebrum is a kid with his hands between knees. Let's call him Ned. Ned is busy counting the number of syllables you've just said to Jim. Now he's making a rule about it. It's called “The Disguise of Changing Scenery,” or something equally splendiferous and literary. Now he's humming the idea back to Jim in musical Morse code, which is being broadcast onto the back of Jim's skull like a home movie. The colors bleed onto everything. And now Ned's resetting the whole thing back to zero, like winding a clock.
Dirty on Purpose
with The Build
By Simon McCormack
Wednesday, Aug. 2, Launchpad (21-and-over): Straddling the line between an indie band with screwed-up time signatures and long periods of straight instrumentation and a rock band with a Yo-La-Tengo-without-the-bite style of play, Brooklynites Dirty on Purpose are poised at the verge of quasi-stardom and indie acclaim.
Hecho n’ K-za
By Marisa Demarco
Saturday, July 29, Puccini's Golden West Saloon (21-and-over); $5: They would go out on the weekends to bars like Tumbleweed, Fantasia or Bandito Hideout restraurant. Spanish rock lived in those joints--on the radio, but never live.
with The Foxx and Unit 7 Drain
By Captain America
Without fail, the Prids grab you and shake you up from note one, whether live or on a recording, such as their latest, … Until the World is Beautiful on Five03 Records.
The Bitter Sermon Spreadin' the Good Word · Will Holshouser Trio Singing to a Bee · Dave Douglas Meaning and Mystery
By Mel Minter
When singer Bernadette Seacrest split and left her band, the Yes Men, high and dry, these talented groove merchants (Michael Grimes, bass and vocals; Jason Aspleset, drums; Aaron Cummings, sax) hardly missed a beat, reconfiguring with John Cousins (piano) and putting out a jazzy new CD (10 originals, one cover). The solid grooves that Grimes (who’s grown as a singer) and Aspleset lay down keep things smoldering, but the group catches fire only intermittently (e.g., “Shine”). They seem caught in an identity crisis, veering back and forth between cocktail jazz and gritty soul. Once they find their center, watch out.
Flyer on the Wall
Louder Than Bombs
Drown out the impending global war--and the stately, blathering shitheads who’ve brought us to the brink of it--this Saturday, July 29, at Burt’s Tiki Lounge! The Prids (see “Show Up!”), The Foxx and Unit 7 Drain are along for the handbasket ride. (LM)
Rugby is a Drag • Truly Scrumptious Coxx
By Robin Babb
This Saturday, Jan. 21, drag your ass to Sidewinders by 9pm for the fundraiser, Rubgy is a Drag, presented by Brujos Rugby and Casa Q. That’s right, the strapping young Brujos Rugby Team players will be performing in drag for a one-night-only event with guest MC Truly Scrumptious Coxx…
Courtesy Epic Records
Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock
By August March
Chevelle, an indie band from the Midwest, portrays their hard sound—expressed with exasperated vocals, a muscular rhythms and chunky guitar riffs that repeatedly drift off into tangential melodies—as an artful thing, comparable to '90s peers like Tool…
Courtesy of Mono/Poly Facebook Page
Mono/Poly • electronic, experimental, alternative hip hop, glitch • Tsuruda • trap, grime, dubstep • 1960sfe • chill wave
By Megan Reneau
Charles E. Dickerson, aka, Mono/Poly will be breaking down beats hard at Sister Bar, on Thursday, Jan. 26. Mono/Poly is known for adroit techniques playing everything from ambient break beats to glitch hip-hop. He's has worked with Flying Lotus, Kendrick Lamar, Thundercat, and has tracks set to be released with Erykah Badu, Kali Uchis and Kamasi Washington—just by that short significant list, you can tell he's fucking superb at what he does. Joining Mono/Poly will be Tsuruda, who excellently blends trap, hip-hop and house sounds, as well as local heavyweight DJ, 1960sfe (formerly known as 1960 Sci Fi Era), who creates beautiful chill wave beats. The 21+ show begins at 9pm and is $8.
Photo by Wes Naman
Silver String Band • Americana, blues • Squash Blossom Boys • bluegrass, folk
By August March
The Albuquerque Folk Festival has ebbed and flowed over the years, presumably in a fashion similar to the mythically winding rivers often rhapsodized about in American folk lore, literature and music. The ascension of the late, great Gary Libman to the presidency of the festival's board of directors provided structure and growth that has practically guaranteed the source of all the good ole music will never run dry. Still, given the economic realities in our great nation and the costs of producing such a successful regional music fest, a benefit concert is often in order, to keep things flowing, as it were. With that metaphor in mind, check out the concert featuring two of Burque's authentic Americana units, the Silver String Band and The Squash Blossom Boys when they perform on Friday, Jan. 27. A portion of the proceeds from this 21+ holy hootenanny beginning at 9pm will benefit the festival before it's 2017 iteration comes around on June 3, 2017. Tickets are $5.
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Rugby is a Drag • Truly Scrumptious Coxx at Sidewinders
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