Alibi V.15 No.32 • Aug 10-16, 2006 
Traveler in Pain

Music to Your Ears

See You at the Crossroads--“Variety keeps up busy,” explains Crossroads lead singer Joy Baca. Well, that and extensive touring throughout the Southwest, two CDs and a working pedigree that stretches back almost 20 years must keep all eight members pretty busy too. But maybe Baca's referring to the enormous range of styles the group spans.

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Traveler in Pain
Wes Naman

Show Up!

Traveler in Pain CD Release Party

Original hard rock and covers from Elvis to Pantera

If good things come to those who wait, then Traveler in Pain’s new album, Paths of Sorrow, Roads to Pain, is a true testament to Lance Sedillo and the rest of the outfit’s patience.

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Student Film

Music Magnified

Student Film and The Hex

Sunday, Aug. 13, Atomic Cantina (21-and-over); Free: One unfortunate thing about Albuquerque is that it's an inconvenient stop on a band's tour—kind of out-of-the-way, really, depending on where the group is coming from. That's a big deal when you're on the Cheetos-til-you-puke, pocket-change-equals-another-mile tour. It means you might not want to spend a precious big-money Friday or Saturday night in a town that's a few hundred mile off-the-trek diversion from middle America to California or Phoenix.

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Opus Dai: Hang on tight.

Music Magnified

Opus Dai

with Left Brain and Five Minute Sin

Tuesday, Aug. 15, Burt’s Tiki Lounge (21-and-over); Free: Imagine yourself on a bus with no one on it except you and the driver. Suddenly, the bus lurches forward and the bus driver reaches back to where you’re sitting and places his hand on your knee. He tells you, “We’re going to be OK,” as he gives you a yellow-toothed but sincere grin. With that, he launches the bus, careening out of control, until finally you go crashing through a glass-walled building. As the bus comes to a halt, you realize that, save for a few glass shards in your lap, you are completely unscathed and after seeing that your body is intact, the driver shoots you another grin as he exits the vehicle.

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Sonic Reducer

The Build The Build · The Pharmacy B.F.F. · The You For the Masses

Albuquerque’s post-rock/instrumental rock outfit The Build has put together its first full-length release, recorded, mixed and mastered by the Oktober People’s Sean McCullough. “Sleep Tyrants” and “Allies of the Seahorse” are perhaps the best examples of sound walls that are constructed and immediately torn to shreds, but the dual-guitar leads and unpredictable drums keep the album from reaching any major low points. The tunes are better with live show fog, but The Build and McCullough do an admirable job of capturing the band’s live sound.

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Organized chaos: Folks from Santa Fe’s High Mayhem prepare sound equipment for a live recording,

Spotlight

Ordered Mayhem

Santa Fe musicians built a collective that brings in all kinds

"The process is more important than the end result," Carlos Santistevan says. "We're just trying to keep the process moving."

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Flyer on the Wall

Seattle, Baby

Mark Pickerel played drums for the Screaming Trees, laid down studio time with Nirvana and collaborated with Neko Case. Now he’s coming through on a solo project, supporting his debut Bloodshot Records release, Snake in the Radio. See this quintessential man-about-Washington on Saturday, Aug. 12, at Burt’s Tiki Lounge, with Sin Serenade and The Grave of Nobody’s Darling. Free. 21+. (LM)

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Courtesy of Reighnbeau

EVENT HORIZON (Thursday, Jun 29)

You don't need rain to see this rainbow

Reighnbeau • indietronica • Sazoram • electronic • Austin Morrell • rock

I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness that magic. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the cosmic stage will be set at 9pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.
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