Alibi V.15 No.39 • Sept 28-Oct 4, 2006 
Noel Ortiz (left) and Trent Schara

Music to Your Ears

Stayin' Alive--State Fair season is officially over, but the honors bestowed upon this year's homegrown competitors will live on, at the very least, until next September. In the midst of bake-offs and livestock auctions, the New Mexico Music Commission helped reaffirm music's rightful place as a state treasure with the Fair’s second annual talent showcase

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Noel Ortiz (left) and Trent Schara

Spotlight

Chop ’Til You Drop

Albuquerque’s First Annual Bobbers and Choppers show rumbles into town

The logical response to hearing about Albuquerque’s First Annual Bobbers and Choppers show is: What the hell is it? You hear the word “chopper,” and images of helicopters landing in the jungle, or possibly TC from Magnum PI, come to mind. You hear the word “bobber,” and you think of antiquated haircuts, or maybe apples in a water-filled bucket.

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Flyer on the Wall

Feral Lords

This concert poster was designed, screen printed (on Ingres-style paper!) and hand-delivered by Heath Dauberman at the Little Kiss Records print shop. You can see the band he drums for (Inner Parlors) open for The Drams (ex-Slobberbone), this Wednesday, Oct. 4, at the Launchpad. Cost is $7. We should all aspire to be more like Heath. (LM)

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BLO it.

Music Editorial

Is Your Refrigerator Running?

Reclaiming our culture, one prank at a time

You might remember the Barbie Liberation Organization, or BLO, who in the early ’90s purchased Teen Talk Barbie and talking G.I. Joe dolls, switched their voices and reshelved them. This produced hilarious and poignant results, with Barbie growling “vengeance is mine,” and G.I. Joe's bubbly “math is hard.” Sexism was not eradicated, but made fun of. Children were confused. It was funny. And as one BLO member put it, “The storekeeper makes money twice, we stimulate the economy, the consumer gets a better product and our message gets heard.”

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Del Tha Funkee (and unpredictable) Homosapien

Show Up!

A Different Del

Tha Homosapien defies the conventions of what an underground hip-hop hero is about

How do you make music that's fresh, but still accessible?

I asked Del Tha Funkee Homosapien, an MC known for 16 years for his lyrical mastery and innovative production. Del, I said, how do you keep it challenging but still easy to get into?

He laughed.

"You can't be uninteresting and be accessible, you feel me?" he said. "You got to be interesting. You got to be entertaining. Otherwise, nobody's going to want to listen to you. I think it's hard to be interesting."

Damn. I had it all wrong. See, I thought of Del as this semi-underground figure, an alternative hip-hop hero who made appearances on all my favorite discs, even before his familiar voice could be found on tracks like the now-famous "Clint Eastwood" by the Gorillaz. I made a list of questions with that figure in mind, and, always, Del's answers defied my expectations. How has hip-hop changed since your first release in 1991? "It hasn't really." What would you change about the music industry? "I don't think nothing's wrong with it." What are you listening to? "Whatever I could get at Target is what I usually get."

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Sonic Reducer

Sol.iLLaquists of Sound As If We Existed · Russian Circles Enter · Owen At Home With Owen

You've got to compliment Sage Francis' taste. The longtime poet/MC stumbled over this Orlando-based crew and knew it was something to write home about. Swamburger's spitfire delivery rides the bucking, ever-shifting beats with the confidence of a master. Rich production textures fresh rhythms with cellos, acoustic guitars, piano—instruments that only make cameos on even the best hip-hop albums. Infuse all that with drop-dead gorgeous diva vocals and smart, specific social messages, and these narrators have got themselves one hell of a debut. Burque's real heads shouldn't miss the S.O.S. show at the Launchpad on Saturday, Oct. 14.

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courtesy of Prism Bitch

EVENT HORIZON ()

But I Like It

Prism Bitch • punk • Shitty and the Terribles • garage • Gerunding

Let's be clear: the premier psych-y, slithery rocanrol event of February takes place at (where else) the Launchpad on Friday, Feb. 23. That's when local sultry sound stars and de facto leaders of the soulful garage rock unit of this city's scene, Prism Bitch—that would be Lauren Poole, Lilah Rose, Chris Walsh, Teresa Cruces and Nelson Crane—take the stage to blind you with sonic and spectral divination from out the mouths of prison-bound purveyors of a sort of electric blues that takes plenty of pop turns as it smolders and then catches fire all hot and shit. Shitty and the Terribles, say they're punk rock, but their vibe feels more no-wave to me, complete with Nueva York style aggression and power chords. Whatever, they totally rock; psych-pop pronunciators Gerunding (everything they sing ends in -ing, one hopes)—a duo that features Mag Kim and Racheaella Ceniceros—open up this super psychedelic can of worms that are actually magic mushrooms that are actually … oh my gawd, you better go and see for yourself. 9pm • $7 • 21+.
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EVENT HORIZON ()

Great EXXXpectations

The Open Bra • Mayo Lua de Frenchie • Miss Behavin • Burlesque improv competition • DJ CS Rucker • dance, house

Work up your courage or down a few beers this Saturday, Feb. 24 at Duel Brewing and take the stage for the The Open Bra, a bi-monthly burlesque improv competition. Performers are assigned a song at the beginning of the evening, and then hit the stage to enchant the audience and judges Miss Behavin, Mayo Lua de Frenchie and Annie O'Roar. And hey, if you're too nervous to take a turn dancing, you still get to weigh in on runner-up and winner slots as a member of the kowtowing crowd. This free, 21+ doors at 8pm and the event begins at 9pm. Plan on staying late for a dance party afterwards.
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