Music to Your Ears
By Laura Marrich
We Will, We Will Rocku--Since the first time I laid eyes on This Is Spinal Tap by Christopher Guest, I've derived way too much pleasure from watching musicians in their meteoric rise to fame and inevitable, cataclysmic fall from grace. Mock or not, rockumentaries rule. This weekend, the Santa Fe Film Festival will screen nine original films (some made right here in New Mexico!) that shine a spotlight on music. We Like to Drink: We Like to Play Rock 'n' Roll follows The Unband, three alcoholic men-children who like to play loud, lewd rock music, as shot by Tesuque-based documentary filmmaker Lexie Shabel. Dangerous Highway gives voice to the "greatest unknown musician you've never heard," guitarist Eddie Hinton. Fellini-esque Russian filmmaker Rustam Khamdamov does a study of his country's stunning operatic talent in Vocal Parallels. Novem is an honest-to-god mockumentary about a confederacy of college songwriters in the ’70s (it won the Jury Prize for best indie film in Sonoma). Bob Dylan's hometown of Hibbing, Minn., gets rifled through by Natalie Goldberg and filmmaker Mary Feidt in Tangled Up in Bob, while native musicians from northern New Mexico are the partial focus of Native Spirits: Forgotten Warriors. Finally, Life in G-Chord is the bittersweet account of Hisao Shinagawa, a Los Angeles street musician who still dreams of the stardom he chased upon first entering America in 1974. Log on to www.santafefilmfestival.com for a complete schedule of the films.
Flyer on the Wall
The Dead Electric would like nothing better than to make out with you. With Unit 7 Drain and Roman Numerals, Saturday, Dec. 9, at Burt's (21-and-over). Free. (LM)
Cuong Vu: Mixing the Menacing and the Ethereal
Trumpeter’s trio builds music on fearless trust and intuition
By Mel Minter
Trumpeter Cuong Vu attacks his instrument with a ferocious intensity usually reserved for rock guitars, and he uses many of the same electronic processors favored by adventurous guitarists from Jimi Hendrix to Bill Frisell.
Danielle St. Laurent
Drop-Kickin' It with The Faint
An interview with bass-master Joel Petersen
By Lash Bower and Amy Dalness
Two Faint fans, one Faint interview. A dilemma only determined fairly by duel. Given that duels are illegal, Lash and I went mano y mano for the right to interview bass player Joel Petersen.
Club Alegria Goes Out with Public Enemy's Bang
By Marisa Demarco
One fall day in Santa Fe, Zia Cross had just finished with her volunteer shift at the High Mayhem music festival and ran across the street to Alegria Liquor. Cross found herself chatting with George Rivera, the shop's owner. She pressed him about what he was doing with the beautiful club space, empty for three years, that’s attached to his store. Nothing, she remembers him saying. You do something.
Keith Drummond Kornfield Invalid Love · Tom Waits Orphans · Jay-Z Kingdom Come
By Marisa Demarco
He's a surly man, this Mr. Kornfield. No matter: On this disc, it's working for him. The country-fried singer/songwriter smothers typical twang with killer lyrics, the perfect balance of heartfelt and cynical. Like only the best bards can, this guy strings you pleasantly along only to turn on you with a suckerpunch of melancholy. Drummond's been in this town for a while, a part of acts like Saddlesores, Speed Queens, Jet Girls and Dueling Keiths. Maybe that history's got something to do with my favorite track on Invalid Love, "Rock-n-Roll Sucks." Check out www.kingoftheworldmusic.com or head to Natural Sound for a copy.
Alan Jackson • country
By Joshua Lee
As Ludwig von Beethoven once said, “Music is the mediator between the spiritual and the sensual life.” Those words still carry weight, even now: a thousand years later. And you'll find no better example than the incomparable Alan Jackson, whose voice and countenance rival those of the gods, as though he were hewn from the heart of the sun itself. His honky tonk tunes are swords of righteous terror and beauty which melt the eardrums of devotees, lost in reverie as they bathe in the glorious golden ambiance of his mustache. He'll be playing live at the Sandia Resort & Casino on Friday, Sept. 30. Take a gander.
Chrome Sparks • electronic, indie pop
By Joshua Lee
So Chrome Sparks apparently has a few hours open in his schedule to visit ABQ—somewhere in between juggling his gajillion other projects and fulfilling his role as busiest spacey electro-pop composer on the planet. New Mexico seems like the perfect place for those wide-open, expansive tunes of his. Maybe someone can talk him into posting up in the middle of the desert next time. Sound carries further at night and can have a a really spooky resonance. Just saying. This Friday, Sept. 30, he'll be wowing the pants off of us at Sister Bar (which is indoors, unfortunately) starting at 9pm. Wear your clean undies.
Miike Snow • indie, electro-pop
By Monica Schmitt
"I change shapes just to hide in this place, but I'm sure not going to hide from this concert." Ladies and gents, I am happy to report that Miike Snow, the Swedish electro-pop band of your dreams, will be performing at our very own Historic El Rey Theater. Imagine Alt-J and Dan Black created a musically inclined love child. The result would be something like Miike Snow. If that's too foreign an analogy, you'll just have to listen for yourself at 7pm on Monday, Oct. 3. Tickets are just $25-$40 for all ages. The Mezzanine bar will be open for folks 21+.
Andrew Jackson Jihad • folk-punk • Diners • surf, indie rock • Kepi Ghoulie • punk folk
By Peter Karlsen
Once upon a time, back in 2004, in the distant land of Arizona, there was born a folk-punk band by the name of Andrew Jackson Jihad. It was a mouthful, so they decided to go by the acronym AJJ. Then they decided to formally change their name to that. Soon they'll be at the Launchpad. People in this town like to shit on the folk-punkers, but fuck those jerks. I already bought a ticket to this Launchpad show and I bet I'll be buying band merch, too, at this kick-ass show starting at 8pm on Oct. 5.
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