Music to Your Ears
Please Stop the Donations!
An open letter from GiG Performance Space in Santa Fe
We are so grateful for the tremendous outpouring of support for GiG Performance Space (1808 Second Street, Suite H, Santa Fe) this holiday season. It has been really been nice to be on the receiving end of all this holiday cheer. And you have our sincere gratitude for supporting more than 200 great performances each year at GiG!
“I Get In Where I Fit In”
Promoter, producer, emcee, DJ, graf-artist, skateboarder, business-owner, punk rock frontman—Speed One fits a lot of places
By Marisa Demarco
Speed One is not bitter.
Sure, he's part of Albuquerque's early gen hip-hop, among the first in the 505 to record original material and promote local shows.
Sure, he was a member of Small Town Desert Funk Mob in ’96 alongside the now-famous Xzibit, who lived with Speed as the two finished their trek through Cibola High School. And though Xzibit dropped the "A" from his handle (it stands for Alvin) just like he dropped Albuquerque, Speed wishes him the best. "I'm content with what I'm doing," he says. "I get in where I fit in."
Flyer on the Wall
Question and Answer
Q: What's flat, shiny and sounds like trashy coed Brooklyn punk and nail-spitting hardcore from Las Cruces?
A: The new CD split from Four Deadly Questions and The Answer Lies! $8 at GC Records (www.gcrecords.com). (LM)
New Year's Ain't for Babies
A quick reference guide to an all-ages New Year
By Amy Dalness
New Year's isn't so much fun when you’re under 21, what with all the hype around drinking to excess as one last hurrah for the passing year. But, honestly, the younger crowd has it easier in some ways: no need for designated drivers, no waking up next to a stranger or forgetting the events of the previous night. Take advantage of your freedom from alcohol-induced stupidity and enjoy a musically stimulating all-ages New Year. Here are a few places around town open to all for the dawn of 2007.
Virtuous.com is a friendly alternative to online ticketing giants
By Marisa Demarco
Albuquerque started seeing the virtuous.com tag on the Launchpad's calendar about three years ago. Working primarily with independent promoters, the advance ticketing service gets props for donating 10 percent of its profits to charities in the communities where the tickets are being sold. In Burque's case, that's Roadrunner Food Bank.
The Spirit Girls Forever Free · Fantasia Fantasia · Mr. Gnome Mr. Gnome
By Marisa Demarco
If angry porcelain dolls made art rock, this is what it would sound like, though such a narrow label does this disc little justice. Lush with archetypal symbolism (ships, nests, bears, Ophelia), the chanted words yank your dream head from its murky depths. Don't listen to The Spirit Girls while operating heavy machinery--not unless you're using it to construct a life-sized dollhouse for your ghostly interior self, the one who's right at home with these pale, ethereal rock moppets. Be prepared to drift through long beds of soundscape with cellos, excessive panning and mostly tasteful vintage effects. Though not inaccessible, this album won't work for you if you're looking for something opaque, solid and tangible—in a word, easy.
Neon Tommy/Katie Buenneke
Hozier • blues, indie, soul
By Cerridwen Stucky
You probably remember that in January a song filled the radio that made you say amen more than you had since going to church with your family as a child. Hozier’s “Take Me To Church” was in the top 100 singles in the U.S. for three weeks. His soft acoustic style paired with sorrowful crooning seemed to be just what the United States wanted…
Mikel Cee Karlsson
José González • indie, folk • Riothorse Royale
By Megan Reneau
Heads up—an angel named José González drops down from heaven and lands at Sunshine Theater on Monday, Oct. 12. González's voice is heavenly and when combined with his soothing classical guitar melodies, causes elation of the senses…
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
Hozier • blues, indie, soul at Sandia Resort & Casino
Florida Georgia Line • country • Thomas Rhett • Frankie Ballard at Isleta Amphitheater
Kirra (OK) • rock • Bella Amore • Drink Me • Modus Operandi • Swylt at Duke City Sound StageMore Recommended Events ››