Alibi V.16 No.12 • March 22-28, 2007 

Music to Your Ears

A Gingerbread Homecoming—It's been less than a year since the Gingerbread Patriots dusted our desert from their keyboards and moved to Portland, Ore. But since they're so gosh darn sentimental, they couldn't stay away for long. Bless their little indie-pop hearts.

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Flyer on the Wall

Play Nice

Some of the fine print says: "That's right. RollerCon, the international all-female roller derby convention, is looking for certified EMTs to volunteer their time and talents this summer, Aug. 8-12, in fabulous Las Vegas, Nev.!" Perks include undying gratitude and a nice little vacation in Vegas (paid for by you, but nice nonetheless). For more information, e-mail locascdg@yahoo.com. (LM)

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The Ettes

Music Interview

The Ettes

Say "chick rock" and you die

If there’s one thing The Ettes aren’t, it’s a chick band. While both their lead vocalist and drummer are of the female gender, that doesn’t fit them squarely into the “chick” category, and they’d like you to know it.

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Caleb Miles

Spotlight

Caleb Miles Comes Back

You would not believe how many bands have named themselves A Murder of Crows. But only one lived in my Walkman throughout early high school until the tape, thin and weary from overplaying, snapped apart one time too many. No amount of scotch tape could aid its redemption. Little did I know this was an early Albuquerque band, around in the late ’80s and early ’90s.

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Sonic Reducer

Black Lips Los Valientes Del Mundo Nuevo · Blue Oyster Cult Spectres · Pela Anytown Graffiti

In any regular situation, if "live recording" and "garage rock" were uttered in the same sentence, I'd shudder with the conjured mental images of some horrifying Frankenstein made of Kiss and Jet. But this album, released by a fairly reliable label, is an exception. With lo-fi sound quality and elements of psychedelia, it's more like a respectable partnership between The Brian Jonestown Massacre and The Velvet Underground. Except this is Black Lips, who are, to make a metaphor (and as their album art might suggest), more like the comedic flesh-eating plant Audrey Jr. from Little Shop of Horrors, just as we are the Seymours, forced to serve our master.

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The band, as represented by an owl-man and his bunny.

Show Up!

New and Fertile

Young band mines innovation from inexperience

The guys in The Fertile Crescent don't know they're kind of geniuses. Or maybe they're in disguise as four shy 20-year-olds who mumble a little and say "like" too much. It's almost a shame to let them in on the secret that the music they're making is more innovative and well-constructed than a lot of what's put out by bands who've been on the scene for years and years. Sure hope they won't let it go to their heads.

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EVENT HORIZON ()

Searching for Something

¡Mayday! • Demrick • DJ Stigmata • Septicemia Records • rap, hip-hop

I’m not sure that the concept of “genre” is really relevant anymore in the realm of music. The days of “pure” music are long gone, and while this might leave some “old-heads” grumbling over message boards about the loss of “real rap” or “real jazz,” I think that for the most part this is a good thing. The possibilities are more abundant than ever before as artists dip their fingers in any number of genres and traditions. ¡MAYDAY! is one group embracing this diversity in their quest for success, with dual emcees Wrekonize and Bernz backed by a full band as they delve into the worlds of rap, rock, reggae, pop and more. With the industry experience of Tech N9ne and his Strange Music label behind them, the Miami-based group boasts a live show that is fast, fun and furious. As part of their promotion for upcoming album Search Party, the group will be bringing that energy on Wednesday, Aug. 23, to Launchpad, the perfect venue to witness their smooth, quickfire wordplay shine alongside an impressive and eclectic array of instrumentals and some silkily-sung hooks. Tickets for this 13+ show run a meager $13, making this a show that the youngest and oldest of us alike can attend and enjoy. 
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