Alibi V.16 No.18 • May 3-9, 2007 ››
Music to Your Ears
Spring Crawl Wrap Up
We turned photographer Tina Larkin loose on the streets of Downtown to capture Saturday's Crawl, and these are just a few of the brilliant images she brought back. We at the Alibi would like to send out our heartfelt thanks to all the bands, clubs and music fans that made this weekend's Spring Crawl a success. We'll see you on Saturday, August 25, for Fall Crawl!
Quadstock and Two Smoking Barrels
With the end of the schoolyear fast approaching, students will soon be finished with roughly nine months' worth of hard work and perseverance. Other than a summer vacation and, at best, a diploma to be received at a later date, there isn’t much in the way of a tangible reward for the efforts of New Mexico’s academics.
courtesy of Charmed
“Twisted Folk” Duo Charm Their Way through Love and Death
Charmed splits the bill with Erika Luckett at the Outpost
Local folk duo Charmed—Bambi Jackson (guitar, keyboard, vocals) and Alicia Ultan (viola, guitar, vocals)—regularly take on love and death; and with a turn of phrase, a deft melody and a wicked sense of humor, they carry listeners beyond the heartache and pain to the mystery and healing.
Post-Crawl Wrap Up
One reporter’s Spring Crawl 2007 experience
If you want to really feel that you’ve gotten your wristband’s worth, it’s probably best to arrive at the Crawl by at least nine. I had an added incentive however, for a relatively early arrival as local electronic/booty rock band Rap was slated for the 9 p.m. slot at Burt’s Tiki Lounge.
Nine Inch Nails Year Zero
· Brother Ali The Undisputed Truth
· Goon Moon Licker's Last Leg
Usually, concept albums like Year Zero, especially those with as lofty a goal as predicting the future, falter in spots. Not this time. Thankfully, political messages couched in NIN language never dictate the music. True, it's not a bangy, industrial-only disc. But Reznor's able to break the bounds of a genre he served to the mainstream. He even had the good sense to enlist the help of vocalist and poet Saul Williams on "Survivalism." Our furious rock gods are growing up. We're just lucky some of them got smarts and haven't overdosed on heroin.
Courtesy of the Artist
Crystal Castles • electropunk, synth pop, witch house
Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
Courtesy of the Artist
The English Beat • ska
Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.