The city's proposed teen music center is in danger
By Laura Marrich
The city's plan to establish an all-ages, teen-run music center was set in motion with the purchase of the Ice House building last year. But it's hit a snag. Without a show of your support at two upcoming meetings, the proposed center may be cut out from the funding it needs to get off the ground.
There once was a car that was cheap, the fastest car on the street. You could own it if you were poor and couldn’t afford more, but still … the car could never be beat. And thus, the “Poor Man’s Ferrari” became a classic machine worth more than 10 times its original listing price.
“I'm trying to be the greatest there's ever been.”
By Marisa Demarco
Brother Ali speaks quietly, his thick East Coast accent eloquent and thoughtful. When we speak, he's in Boston in the middle of a two-month tour. Lots of musicians bitch about being on the road, but Ali loves it—except for missing his new wife and 6-year-old son. He's a serious guy who's had to sacrifice and scrap his way to fame, riding a heap of critical praise for his first big success with the Rhymesayers label, Shadows on the Sun.
The musical approaches of pianist Edward Simon and altoist David Binney seem, on the surface, fairly disparate. Binney favors fire, speed and dynamism. Simon tends toward water, patience and understatement. Different paths, but the two longtime associates both find their ways to beautiful music, here with bassist Scott Colley, drummer Brian Blade and a host of guests (notably vocalist Luciana Souza and guitarist Adam Rogers). From the uncomplicated profundity of Simon’s “Govinda” to Colley’s intense but delicate “Amnesia” to Binney’s dreamy “We Dream Oceans,” Océanos offers a deeply musical and satisfying passage over the open water of original jazz.
Prism Bitch • punk • Shitty and the Terribles • garage • Gerunding
By August March
Let's be clear: the premier psych-y, slithery rocanrol event of February takes place at (where else) the Launchpad on Friday, Feb. 23. That's when local sultry sound stars and de facto leaders of the soulful garage rock unit of this city's scene, Prism Bitch—that would be Lauren Poole, Lilah Rose, Chris Walsh, Teresa Cruces and Nelson Crane—take the stage to blind you with sonic and spectral divination from out the mouths of prison-bound purveyors of a sort of electric blues that takes plenty of pop turns as it smolders and then catches fire all hot and shit. Shitty and the Terribles, say they're punk rock, but their vibe feels more no-wave to me, complete with Nueva York style aggression and power chords. Whatever, they totally rock; psych-pop pronunciators Gerunding (everything they sing ends in -ing, one hopes)—a duo that features Mag Kim and Racheaella Ceniceros—open up this super psychedelic can of worms that are actually magic mushrooms that are actually … oh my gawd, you better go and see for yourself. 9pm • $7 • 21+.
The Open Bra • Mayo Lua de Frenchie • Miss Behavin • Burlesque improv competition • DJ CS Rucker • dance, house
By Maggie Grimason
Work up your courage or down a few beers this Saturday, Feb. 24 at Duel Brewing and take the stage for the The Open Bra, a bi-monthly burlesque improv competition. Performers are assigned a song at the beginning of the evening, and then hit the stage to enchant the audience and judges Miss Behavin, Mayo Lua de Frenchie and Annie O'Roar. And hey, if you're too nervous to take a turn dancing, you still get to weigh in on runner-up and winner slots as a member of the kowtowing crowd. This free, 21+ doors at 8pm and the event begins at 9pm. Plan on staying late for a dance party afterwards.
Red Light Cameras • indie rock • Jared and the Mill • The Timewreckers • cosmic country
By August March
The favorite, most popular pop band in Dirt City is named after a thing that no longer exists here. No, dudes, it's not the dinosaurs or the inherently racist educational institutions of el duque that one thinks of in such situations; rather it's the Red Light Cameras. ¿Los Recuerdas? Consequently, besides a lot of happy motorists, there's the story of a band here too. That resulting rocanrol ensemble, The Red Light Cameras, continue to draw huge audiences all over the state and now you can count yourself among the lucky humans who've seen them perform when they appear at Sister on Wednesday, March 7 at 8pm. Phoenix indie unit Jared & The Mill are also on the bill. For realz rockers—and perhaps heirs to RLC's guilded throne—The Timewreckers, open. Showtime is 8pm with a $5 cover and 21+.