Alibi V.16 No.20 • May 17-23, 2007 

Music to Your Ears

Best of the Week—Besides the fine events featured in this week's music section, we'd be remiss if we didn't point you in the direction of these weekend wunderkinds. Good luck choosing between them!

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Sonic Reducer

The Young Gods Super Ready/Fragmenté · Porcupine Tree Fear of a Blank Planet · Babelshack Return of the Bottomfeeder

Great things to merge in an album: guitars, synth, cymbals, wispy vocals and dance beats. Bad things to merge in an album: English and French. At least, as merged by The Young Gods. What The Young Gods do well in Super Ready/Fragmenté they do really well—the sound is tight, the beats are slick, the mix is vibrant, the French is superb. But their use of English makes me wonder when Bono turned Swiss, acquired a bad accent, started a dance/synth band and subsequently forgot how to write in complete sentences. At least the music is good.

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Writer/director/producer Justin Hunt at the   American Meth   debut in Farmington, N.M.

Spotlight

The Music ofAmerican Meth

Local artists lend their talents to documentary film project

Farmington native Justin Hunt is the brains and guile behind American Meth, a documentary film he wrote, produced and directed. With a gift for storytelling (surely the result of years of hard-knocks experience in television journalism), Hunt attempts with American Meth to shed some light on an inexplicable addiction to a dangerous and faithless drug, methamphetamine. An edgy subject, to say the least.

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These are just a fraction of the bands playing this year’s Hyperactive Festival.

Show Up!

Hyperactive Music Festival II

If you ask Alison Shaw why she's so driven to do the things she does for local music, she'll look at you with an expression that implies, “Why aren’t you?” With less than a week before Hyperactive Music Festival II, Shaw is busy working out the fine tuning on an event she launched last year in June.

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Joe Anderson presides over an all-ages show at the Launchpad.
Xavier Mascareñas

Music Interview

Blood, Sweat and Tears

The Launchpad celebrates 10 years of earth, wind and fire

The city of Albuquerque contains legions of rock ’n’ roll fans who have witnessed the performances of idols and demigods, experienced life-altering moments of personal heartbreak and triumph and, during its 10 years, more or less grew up at the Launchpad.

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Flyer on the Wall

Space, Maybe?

Looks like the debut of a new venue at 309 Mountain NE (just east of Broadway)! Retsila Gem, Small Flightless Birds, Fiction Onehundred and Bark Bark Bark star in a fake music video this Saturday, May 19, at Space, Maybe? $5. (LM)

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Craft Work

Hone your creative edge at a brand-spankin’ new songwriters’ open mic. Southwest Gift Baskets Coffee House (11200 Montgomery NE) hosts the all-ages fun at 7 p.m. (LM)

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Roll for Your Lives!

Derby Intelligence Agency squares off against breakaway champs Doomsdames this Saturday, May 19, at Club Fantasia (formerly Midnight Rodeo, 4901 McLeod). Fivehundred handles the face-rocking. $5 in advance, $7 at the door (opens at 3 p.m.). All-ages! (LM)

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Hyperactive Slugs

Slug magazine brings a taste of Salt Lake City to this weekend's Hyperactive Music Festival. Saturday, May 19, at Ralli’s (free, 21+). (LM)

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EVENT HORIZON ()

Why Not?

Why? • indie rock, alt.hip-hop, alt.rock, pop, folk • Go Dark • experimental

If you want a reminder—and not from Radiohead—that hip-hop is everywhere, even in the indie rock that millennials are sorta into (but only after they listen to every goddamn thing they can find by Kendrick Lamar) then trip, trip, trip on down to Sister on Monday, Feb. 19 at 8pm for a recital of sorts by Cincinnati alt-rappers cum indie rock stars, WHY? Founded by a dude named Yoni in the distant and unremembered aughts, WHY? has gained traction among rockish young audiences with their pop-nuanced mash-up of rocanrol and hip-hop. They got all kinda crazy rhythms, jams and flows going on betwixt rock references and may do some drugs; their latest effort is called Moh Lhean, after all. Additionally, the critics at Allmusic have judged their music as “quirky” which oughta count for something, amirite? They do have some pretty righteous tuneage, including works like “George Washington,” “White English” and “Into the Shadows of My Embrace.” Seriously, this one's worth the price of admission and if you're into skinny jeans and man buns, then damn, get out there, girl! The cover is $15 to $18, 21+.
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