Alibi V.16 No.23 • June 7-13, 2007 
Jason Daniello, of course

Music to Your Ears

Everything Good!

Jason Daniello's back in town for a Naomi-style reunion

Jason Daniello is always smiling. It’s no act—his smile is molded to that contagious positive attitude of his. And if you saw him perform when he lived here in Albuquerque, you probably caught it, too, along with a head full of songs.

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DJ Jojo spins at Blu during Pride Radio's "Coming Out" party. The event was attended by employees of Clear Channel, Pride Radio's parent company, and people involved with prideradioabq.com, the local website associated with Pride Radio.
Xavier Mascareñas

Spotlight

Pride Radio Streams to Albuquerque—Without Local Content

HD station pushes national pop artists and tries to avoid stereotypes

Among the last 10 songs played one Friday afternoon on Pride Radio: "I Wanna Sex You Up," Color Me Badd; "Behind Hazel Eyes," Kelly Clarkson; "Summer Love," Justin Timberlake. What makes these tracks particularly gay or prideful? You'd have to do some traveling to find out. The programming for Pride Radio, broadcasting over HD to Albuquerque and Santa Fe, is selected in New York. Clear Channel's Jason Ortiz spoke about the newest addition to our HD roster, a channel geared toward gay and lesbian communities that's been streaming to us from Dallas/Fort Worth since April.

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Fiesta!

P-R-I-D-E

The "P" stands for party

There are two things you're sure to find in abundance during ABQ Pride: queer people and dancing. And lots of queer people dancing. And lots of not-queer people dancing because the queer people are having so much fun dancing everyone has to join in. It's a fabulous cycle.

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The Leftovers

Show Up!

The Leftovers

On the move

Barely hugging their 20s, The Leftovers make good music from the bygone pop-punk days even better. These three lads from Portland, Maine, got their start like many other bands—playing basement parties and trying to impress girls. But their loyalty to three-minute songs with catchy hooks has gotten them farther than any backyard makeout session.

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[click to enlarge]

Flyer on the Wall

And Now for Something Completely Different

I like this Elias-Axel Pettersson guy. I like that he's giving a classical piano recital at the El Rey, of all places. I like that his mom called me to tell me how awesome he is. I like that she probably made this poster, too. He's playing at 3 p.m. on Sunday, June 10. I imagine it's all-ages, but I'd like it even more if it wasn't. Just for the weirdness of it all. $15. (LM)

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Sonic Reducer

Chris Cornell Carry On · Sage Francis Human The Death Dance · SoCalled GhettoBlaster

It's been a lingering moment in time since we've seen this god-given talent step under the lights solo. After AudioSlave’s recent fallout, what better a way to pack the old and bring in the new than to title this album Carry On. Catchy and cohesive, but at the same time sporadic, Chris Cornell breaks through as ringleader, composing all tracks except for the cover songs. “Billy Jean” strips down to a six-string vocal masterpiece surprisingly ringing just as full as the original hit. His vocal chords rattle studio glass and always leave a lasting impression. If you liked Euphoria Morning, you’ll love Carry On.

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Courtesy of the Artist

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Their Kindness is Charade

Crystal Castles • electropunk, synth pop, witch house

Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
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Courtesy of the Artist

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Special Beat Service

The English Beat • ska

Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.
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