Alibi V.16 No.42 • Oct 18-24, 2007 
Joshua Redman

Jazzed

Joshua Redman Brings Back East out West

Lyrical saxophonist explores the trio format

Mention Brian Blade’s cymbal crash at 1:46 into “Indian Song,” track No. 4 on saxophonist Joshua Redman’s latest CD, Back East, and Redman waxes euphoric over the moment.

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Django Reinhardt

Spotlight

Cat on a Hot Club Roof

New Mexico Django Fest swings with three days of gypsy jazz

In the universe of guitar mastery, Django Reinhardt is the brightest star in his own corner of the cosmos. And, as is usually the case with legends, there's plenty of fantastic lore swirling around Reinhardt's brilliant but brief life, which spanned from 1910 to 1953.

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Flyer on the Wall

More Artsy, Less Fartsy

DJ Furious Joe spins the soundtrack to Black Market Goods, an underground arts bazaar this Saturday, Oct. 20, at the Princess Jeanne Shopping Center (1520 Eubank NE at Constitution). Doors open at 8 p.m. Details at www.myspace.com/theangryyears. (LM)

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Juliette and the Licks

Music Interview

Juliette and the Licks

Come and get your heart set on fire

With her well-established acting career on hold, Juliette Lewis is ordering off the multi-medium entertainment menu. Her main course is Juliette and the Licks, a dirty, sexy, playful, classic rock-rooted quartet featuring Lewis on vocals and former H20 member Todd Morse on guitar. The Licks got Dave Grohl to play drums on their latest release, Four on the Floor, which is the band's most well-rounded offering to date. The Alibi caught up with the band's frontwoman and got her thoughts on her genre-hopping experience.

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Sonic Reducer

The Thrills Teenager · Mac Lethal 11:11 · Band of Horses Cease To Begin

Embarking on a road trip with an unknown band in your CD player is a gamble. It's advisable to have a back up plan in these situations, unless the album you're about to feed your player is The Thrills' Teenager. The first note of "The Midnight Choir" is like aural comfort food. The inviting strum of a mandolin accompanied by acoustic guitar and piano immediately welcomes you into the feel of this alt.rock pop album, which is something like finding your favorite childhood teddy bear while cleaning out your parent’s attic. Teenager is familiar with just enough “different” to make it lovable. [AD]

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Courtesy of the Artist

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Their Kindness is Charade

Crystal Castles • electropunk, synth pop, witch house

Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
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Courtesy of the Artist

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Special Beat Service

The English Beat • ska

Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.
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