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Best of Burque
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 Nov 1 - 7, 2007 

Music to Your Ears

By Maren Tarro

Dirt Cult

Las Cruces is not a place that comes to mind when you consider the great music centers of the universe, but every now and then the cosmos are kind and the stars line up favorably for this often-forgotten southern New Mexico town.

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Spotlight

2008 New Mexico Rocks Pinup Calendar Match-Up

See if you can guess what some of Albuquerque’s female rockers do when they're not melting your face

By Simon McCormack

With the 2008 New Mexico Rocks Pinup Calendar premiere at the Launchpad this Friday, Nov. 2, corresponding with our second Quiz and Puzzle issue, we got to thinking: How easy would it be to determine what a selection of Albuquerque’s most recognizable musicians do to pay the bills? We decided this task was too difficult to do without cheating, so we found out the day jobs of this year’s pinup models and included them below (along with some incorrect answers to make it interesting). See if you’re up for the challenge, and get to know a little more about these posers for a cause. Circle your best guess and then go to alibi.com for the answers.

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Flyer on the Wall

Play Misty’s for Me

Misty’s Hideaway (1522 Eubank NE) keeps shaking things up in the Northeast Heights with Simfonik Plague, Torture Victim, The Grinkai and Aphotic Blitz on Saturday, Nov. 3, at 9:30 p.m. Legal drinkers only. Free. (LM)

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Mystery Sonic Reducer

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After a prolific decade of music-making, this was the last album recorded by the highly influential foursome that has helped shape the musical landscapes of artists such as Grandmaster Flash and the Arcade Fire. Released in 1988, the record frequently incorporates Latin rhythms and, although it produced a couple successful singles, much of the album was indicative of a band struggling to form one of its last creative gasps with trite lyrics and several songs that lack clear direction. The heavy Latin influence surfaced again on the lead singer's first solo album released a year later. [SM]

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Dafnis Prieto

Jazzed

Dafnis Prieto

Cuban-born drummer/composer’s quintet mixes jazz, Latin and classical textures at the Outpost

By Mel Minter

Alongside the equipment commonly found in a jazz drum kit—toms, snare, kick drum, wood blocks, high hat, cymbals—drummer Dafnis Prieto mounts an unorthodox percussive instrument: a frying pan.

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Franks and Deans
Courtesy of the Artist

EVENT HORIZON (Thursday, Feb 23)

Franks & Deans • punk rock, rock 'n' roll • Shrewd • Punctured Muffler • Silent Crush • metal

By August March
At some point during the progression of meta-ultra-postmodernism, it was only natural that a band covering Rat Pack Tunes revisioned as rambling ska paeans or blisteringly buoyant punk anthems based on the imbibing and love-making habits of dudes like Frank Sinatra and Dean Martin would rise from the rocanrol cauldron. We'll it's 2017 and such has indeed come to pass. The name of the band is Franks and Deans. They've succeeded by inflecting the sweepingly romantic, sometimes melancholy and nearly always self-referential ditties of these post-war, pre-rock vocal heroes with with good-natured rhythms and danceable guitar leads—as well as an updated fashion sense that seems to borrow more from ZZ Top's summer style guide than from Robin and the Seven Hoods—that adds affable nuance to legendary, mid-century American popular music. Band members Rob DeTie, Pip Ullemeyer, Hoss and Arpee Sampson III await your indulgence at Low Spirits on Thursday, Feb. 23, and the admission price of $5 sure as heck beats dropping “Three Coins in the Fountain.”
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