Music to Your Ears
Fat Ladies in Helmets
Peter Gelb has transformed New York's Metropolitan Opera since becoming general manager in the summer of 2006. His goal is broadening the opera house's audience, trimming down opera's overstuffed pomp and replacing it with populist circumstance. Basically, he wants regular people like us to enjoy opera again.
On the Scene
Leah Black and Friends
Acoustic jams from electric performers
As someone whose music is sometimes not taken seriously because of her day job, it makes sense that 93.3 KOB FM DJ Leah Black wants people's hidden talents to shine. Black has gathered up four musicians who made names for themselves with amplified guitars and asked them to strip it down for an evening. From her experiences in her rock/soul pop band, Black has seen the highs and lows of being an acoustic performer, who thrives on the vulnerability of being without electricity. Black talked to the Alibi about being naked on stage.
Greg Ruggiero’s Balance
Albuquerque native returns to celebrate release of new CD
Warm and liquid, the music of jazz guitarist Greg Ruggiero slides into the ear so easily, you don’t notice until it’s already had its way with you. The first signs include a slowing of the breath, a relaxed attentiveness and a heightened awareness of one’s blessings.
Flyer on the Wall
Let It Show
Thanks for the Jewel Case
Down With Christmas
A selection of the Christmas albums we received this year, all of which fill us with urges to stab each other with sharpened candy canes
Michael Bolton A Swingin' Christmas (Concord Records)
Whether you're having problems with money, family, food, Jesus or Christmas in general, those minor issues will all be eclipsed if you happen upon this agonizing Michael Bolton album. Not only are these songs awful, they're crooned by one of the most horrid musical demons of our time. This Christmas, your troubles are of a Michael Bolton nature. (JCC)
If a band releases an EP slightly longer than a commercial break, each song had better be pretty spectacular. Unfortunately, indie-pop group Rat Wakes Red only hits it out of the park once in four tries. The title track is a murky, slow but satisfying folk tune that thrives on layered melodies and graceful melancholy. The other three lack the refinements of Energy Garage and come off as whiney, ho-hum attempts at catchy alt.pop. It's worth a trip to the iTunes store to grab the record's one success, but anything further is ill-advised. (SM)