Music to Your Ears
By Laura Marrich
Deck the Halls with Tattooed Christians
Is there any better way to celebrate the birth of baby Jesus than attending church? Of course not. ... Unless that church is hosting some kind of charitable event for needy children. And there's also progressive rock involved.
Father of the Flood
Weather event or concert?
By Marisa Demarco
The first time I saw Father of the Flood, his slow-morphing tones vibrated the art off The Stove's walls. Some of the audience ran from work to work, pulling glass-enclosed pieces down before the chest-rattling low end could cause them to leap to their doom. Then we sat and felt the notes thundering from four 15-inch speakers into our bodies. When the flood was over, I had no idea how much time had passed. Was the set five minutes long or 30?
The Lotus Sound
Label of Love
By Marisa Demarco
Father of the Flood is putting out his first CD on Dec. 18 through The Lotus Sound, a label run by Mike D'Elia. The label's been around for a decade, though for a large portion of that it was in hiatus while D'Elia got Astro-Zombies, his Nob Hill collectible toy and comic shop, off the ground.
DJs Brandon and Ethan's Last Show and CD Release Party
Electro-dance duo sets the crowd on fire one last time
By Simon McCormack
DJs Brandon (Sciarrotta) and Ethan (Moya) believe the paradigm of indie electro music is shifting. The days when the genre consisted of a small, pretentious group of know-it-all technophiles have disappeared. Now crowd satisfaction is the new MO.
Flyer on the Wall
Seen and Heard
You’ve ogled the calendar, now get an earful of the 2008 New Mexico Rocks! calendar pinups. The NMR! bands will release their compilation CD at Burt’s Tiki Lounge (21+, free) and Atomic Cantina (21+, free) this Friday, Dec. 21. Proceeds from the calendar and companion CD benefit APS music education. (LM)
Jeff "Tain" Watts presents Tain and the Ebonix Folk's Songs · Various Artists Kitsuné Maison Compilation 4 · Wyclef Jean Carnival Vol. II: Memoirs of an Immigrant
Drummer Tain Watts plays with an ecstatic but measured polyrhythmic intensity that can be lightened to a caress as needed, animating his urbane compositions with irresistible grooves and juicy street-smarts—now hip, now impish, now cheeky. (You can dress him in a tux, but there’s always a tasty whiff of barbecue.) Marcus Strickland (tenor and soprano sax), Christian McBride (bass) and David Kikoski (pianoforte, and extremely keen rhythmic sense), plus occasional guests, move energetically through seven originals, two from Keith Jarrett, one from the late Kenny Kirkland, covering mainstream territory from ballads to blues, dense modern harmonics to Gospel-tinged reflections. (MM)
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