Year in Music
Top 10 of 2007
After throwing them at the wall, these are the albums that stuck
By Marisa Demarco
Top 10 lists are intimidating. What if I miss something good? What if I don't agree with the critics? There's no way I could have heard every single disc last year. How can I be an authority?
Year in Music
Bottom 10 of 2007
Whether it was rock, pop or rap, it all sucked in ’07
By Simon McCormack
10) Reel Big Fish
If it makes Reel Big Fish happy to cling to the dream of a third-wave ska revolution, then more power to them. Still, making ska for the sake of keeping the genre alive doesn't produce the best results. Even though their songs are still upbeat as ever, I can't help but think there were some tears shed behind the scenes for a genre that once was.
Flyer on the Wall
Rock or Die!
Bogeymen of nightmares past compel you to rock this Sunday, Jan. 6, with Calling Kevorkian, Anonymous Victims, Scarless, Into the Ocean and Brokencyde. All-ages at the Launchpad ($5/$7), doors open at 7 p.m. (LM)
Pop music for artsy fuckers, inspired by robbery
By Simon McCormack
After an ugly breakup and several robberies, Khaled Tabarra had a wealth of song-writing material.
De Novo Dahl Move Every Muscle, Make Every Sound · Sia Some People Have Real Problems · The Local Tourists Happy Birthday, Kyle
Party-pop is not easy to make and De Novo Dahl's new album proves it. Like its title suggests, Move Every Muscle, Make Every Sound tries to do too many things, attempting to combine bluegrass, alt.rock, electro, psychedelia and power-pop into a small, sugary dose of medicine that's too jagged to swallow. When the band meshes a couple of said genres instead of cramming them all in, there are some successful moments on the record. But too often, De Novo Dahl is in the midst of an identity crisis that a pop backdrop can't cope with. (SM)
Courtesy of the Artist
Franks & Deans • punk rock, rock 'n' roll • Shrewd • Punctured Muffler • Silent Crush • metal
By August March
At some point during the progression of meta-ultra-postmodernism, it was only natural that a band covering Rat Pack tunes revisioned as rambling ska paeans or blisteringly buoyant punk anthems based on the imbibing and love-making habits of dudes like Frank Sinatra and Dean Martin would rise from the rocanrol cauldron. Well it's 2017 and such has indeed come to pass. The name of the band is Franks & Deans. They've succeeded by inflecting the sweepingly romantic, sometimes melancholy and nearly always self-referential ditties of these post-war, pre-rock vocal heroes with good-natured rhythms and danceable guitar leads—as well as an updated fashion sense that seems to borrow more from ZZ Top's summer style guide than from Robin and the 7 Hoods—that adds affable nuance to legendary, mid-century American popular music. Band members Rob DeTie, Mike "Pip" Ullemeyer, Hoss and Sampson await your indulgence at Low Spirits on Thursday, Feb. 23, and the admission price of $5 sure as heck beats dropping “Three Coins in the Fountain.”
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