Alibi Bucks

 Jan 17 - 23, 2008 

Music to Your Ears

By Laura Marrich

The Craft

Does your guitar have a person's name? Do you sometimes fall asleep with it in your arms? Are your pants pockets stuffed with lyrics scrawled on little bits of paper? If so, you might be one of the millions of Americans who are aspiring singer-songwriters.

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Mac Lethal’s bringing rice krispie treats to the party.

Wax Tracks

Mac Lethal

On paranoia and talking to strangers

By Justin Hood

New Rhymesayers label artist and former Scribble Jam champion Mac Lethal is hitting the industry with a lethal dose of acid-tongued lyricsm. He hits The Stove in Albuquerque this Sunday. The Alibi got a hold of Mac to talk about his Always Talk To Strangers Tour (co-headlined by MCs Grieves and Type) as he was sitting down on the same green couch he raps about in his new album, 11:11.

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Flutist/composer James Newton


Newton & Jang

Flutist James Newton and pianist Jon Jang forge a musical brotherhood

By Mel Minter

Brothers typically come to their sibling relationship without choice, riding shared DNA from common parents. Flutist/composer James Newton and pianist/composer Jon Jang, however, were drawn into brotherhood nearly 25 years ago by a common musical DNA and a shared appetite for justice.

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The Knew

Show Up!

The Knew

Writing the songs The Knew would like to hear

By Simon McCormack

In 2006, Jacob Hansen and Patrick Bowden of Denver’s The Knew became a two-piece after guitarist Tyler Breuer left to teach overseas. They were vulnerable in a live setting and were limited musically. The only thing they could do was quit or adopt an underdog mentality, to play as though each song was their only shot. The duo did more than survive.

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Flyer on the Wall


Get all ape shit when Suffrajet (Chicago), The Dollyrots (L.A.), Volume Volume and Pan!c increase the Launchpad’s decibels this Tuesday, Jan. 22. $5, 21+. (LM)

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Sonic Reducer

Chris Walla Field Manual · Donny McCaslin In Pursuit · Chloe Day Sugar

Death Cab For Cutie Guitarist Chris Walla may not have the pipes of his bandmate Ben Gibbard, but DCFC’s deep outer space atmosphere and sugar-pop melodies are all over Walla's first solo album, Field Manual. It can be sickly sweet at times, but there's no doubting Walla's songwriting gifts, which allow him to draw in unsuspecting ears like a tractor beam. It's airy, enthusiastic and, aside from some politically charged lyrics, doesn't take itself too seriously. Death Cab fans should gobble this one up. (SM)

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Neon Tommy/Katie Buenneke

EVENT HORIZON (Friday, Oct 9)

Can I Get a Hallelujah?

Hozier • blues, indie, soul

By Cerridwen Stucky
You probably remember that in January a song filled the radio that made you say amen more than you had since going to church with your family as a child. Hozier’s “Take Me To Church” was in the top 100 singles in the U.S. for three weeks. His soft acoustic style paired with sorrowful crooning seemed to be just what the United States wanted…
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Mikel Cee Karlsson

EVENT HORIZON (Monday, Oct 12)

El Angel de la Musica

José González • indie, folk • Riothorse Royale

By Megan Reneau
Heads up—an angel named José González drops down from heaven and lands at Sunshine Theater on Monday, Oct. 12. González's voice is heavenly and when combined with his soothing classical guitar melodies, causes elation of the senses…
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courtesy of the artist

EVENT HORIZON (Friday, Oct 16)

Snowy Egret Has Landed

Myra Melford’s Snowy Egret • piano, jazz, composer

By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
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