Alibi V.17 No.4 • Jan 24-30, 2008 ››
Music to Your Ears
We Will, We Will Mock U
Seeing how the topic is fake bands, and Keller Williams and the WMDs are coming through town this week, it's pretty serendipitous that Electric Apricot: Quest for Festeroo just happens to be debuting in Albuquerque on Tuesday. Primus bass-master Les Claypool wrote, directed and stars in this mock rockumentary chronicling the highs (cough) and lows of a jam band reaching for cult status in the jam circuit.
Fake It ’Til You Make It
If these guys became rockstars, you sure as hell can
There are a multitude of phony-baloney "bands" that have made the jump from fiction to radio. Bands that blurred the line between fantasy and reality so effectively that even Stephen Hawking’s sexy Speak and Spell voice can’t explain the phenomenon.
Monterey Jazz Festival 50th Anniversary All-Stars Live at the 2007 Monterey Jazz Festival
· Magnetic Fields Distortion
· The Helio Sequence Keep Your Eyes Ahead
Pulled together to celebrate the last 50 and the next 50 years of jazz at the Monterey Jazz Festival, the MJF All-Stars— James Moody (sax, flute), Terence Blanchard (trumpet), Nnenna Freelon (vocals), Benny Green (piano, musical director), Derrick Hodge (bass), and Kendrick Scott (drums)—bring their A games, covering mainstream ground from bebop to post-bop. High points include the charming Moody/Freelon duet on Ellington’s “Just Squeeze Me,” Moody’s swing on Milt Jackson’s “Monterey Mist” and Blanchard’s blistering solo on Lionel Loueke’s “Benny’s Tune” (the most modern composition). The set is relaxed, playful and occasionally intense, with everyone letting down their hair. (MM)
Courtesy of the Artist
Crystal Castles • electropunk, synth pop, witch house
Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
Courtesy of the Artist
The English Beat • ska
Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.