Alibi Bucks

 Jan 24 - 30, 2008 

Music to Your Ears

By Laura Marrich

We Will, We Will Mock U

Seeing how the topic is fake bands, and Keller Williams and the WMDs are coming through town this week, it's pretty serendipitous that Electric Apricot: Quest for Festeroo just happens to be debuting in Albuquerque on Tuesday. Primus bass-master Les Claypool wrote, directed and stars in this mock rockumentary chronicling the highs (cough) and lows of a jam band reaching for cult status in the jam circuit.

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Fake It ’Til You Make It

If these guys became rockstars, you sure as hell can

By Maren Tarro and Laura Marrich

There are a multitude of phony-baloney "bands" that have made the jump from fiction to radio. Bands that blurred the line between fantasy and reality so effectively that even Stephen Hawking’s sexy Speak and Spell voice can’t explain the phenomenon.

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Flyer on the Wall

Everybody Say Yarrrrrgh!

Set a course for the Northeast Heights, where The Old Main, The Grave of Nobody's Darling, and Big Lips and the Skinny will perform sea chanties before walking the plank. That's this Saturday, Jan. 26, at Misty's Hideaway (1522 Eubank NE, 271-9839). Free, 21+. (LM)

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Sonic Reducer

Monterey Jazz Festival 50th Anniversary All-Stars Live at the 2007 Monterey Jazz Festival · Magnetic Fields Distortion · The Helio Sequence Keep Your Eyes Ahead

Pulled together to celebrate the last 50 and the next 50 years of jazz at the Monterey Jazz Festival, the MJF All-Stars— James Moody (sax, flute), Terence Blanchard (trumpet), Nnenna Freelon (vocals), Benny Green (piano, musical director), Derrick Hodge (bass), and Kendrick Scott (drums)—bring their A games, covering mainstream ground from bebop to post-bop. High points include the charming Moody/Freelon duet on Ellington’s “Just Squeeze Me,” Moody’s swing on Milt Jackson’s “Monterey Mist” and Blanchard’s blistering solo on Lionel Loueke’s “Benny’s Tune” (the most modern composition). The set is relaxed, playful and occasionally intense, with everyone letting down their hair. (MM)

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courtesy of the artist

EVENT HORIZON (Tuesday, Dec 1)

Bloodsuckers Licking Your Ears

Vampires Everywhere! • rock • Consider Me Dead • Set to Stun

By August March
Metalcore masters Vampires Everywhere! will be rising from their decrepit coffins…
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Kelly O.

EVENT HORIZON (Friday, Dec 4)

I Tawt I Heard a Puddytat

Tacocat • post post punk pop • Red Light Cameras

By Robin Babb
Everything about Tacocat is candy-coated. Technicolor-dyed hair, surfy guitar vibes and unabashed riot grrl revivalism combine in this energetic quartet from Seattle to make some of the best pop-punk tunes you’ve heard since you became okay with listening to pop-punk again. It’s good music for gleefully burning pictures of your ex. With punchy but sweet vocals and catchy choruses that you’ll be humming for days, their latest album NVM is worthy of heavy rotation. Their second LP (and first on the Hardly Art label), NVM features beefed-up production but the same garage-y, DIY sound from their earlier EPs, Woman’s Day and Take Me to Your Dealer. Stand-out tracks are “Crimson Wave” (which is about exactly what you think it’s about) and “Psychedelic Quinceñera,” a ballad about a girl who would rather forego the regular quinceñera formalities on her 15th birthday and get hella blitzed with her amigas instead. After exhausting the basement venues of Washington, Tacocat is heading inland on their winter tour with Sallie Ford. Red Light Cameras open. Pay your 10 bucks and get ready for the most colorful 21+ mosh pit of your life!
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